It's just...not my type at all.

Grant 2022-04-22 07:01:31

It's okay to say it's the Iranian version of "Alive", and it's okay to say it's "Sunny Days".

While talking about changes in the country, it mainly focuses on the growth and positioning of women. According to the author's meaning, the former should be the footnote of the latter. History cuts the personal growth history, and the individual seeks self-narrative in the historical narrative. common trick.

Problems are also common. History seems to be more than just a footnote to life history. Private life has become a projection of a grand historical narrative. Personal life history is a miniature of history. Rather, private life has become a footnote to history. Private life is squeezed out of shape by history, as if a person's life can be summed up in several historical events. "Alive" is like this, so is Zhou Xirui's "Ye", and "Red Rain", known as micro-history, is not as good as the first two. The reason why "Mengxingzi" and "The Death of Wang Shi" are good is that they can write "life history" instead of "the projection of history on life history".

From this point of view, it is not as good as "Sunny Days", at least Jiang Wen (or Wang Shuo) is talking about pure juvenile growth, and the background of the Cultural Revolution is just the background. But when the protagonist of "I grew up in Iran" tells about his life, he can only say "I have experienced revolutions and wars and witnessed many deaths". The background is overwhelming and becomes the life course of the protagonist.

In the final analysis, she is still talking about "the Iranians we want to see", the Iranians shrouded in a lot of symbols, not "the Iranians who really exist." Still talking about "history", not "life history".

In "Eight Liang Jin", Sammo Hung smuggled to the United States during the Cultural Revolution. After returning to China, he saw his cousin whom he hadn't seen in more than 30 years. All he cherished was the details of playing with his cousin when he was a child. When his cousin asked him if he only remembered these for more than 30 years, he replied: "There is nothing to remember in the middle 30 years." When the history of life is freed from the shroud of history, the only thing left is the sentence "Nothing to do." good to remember". How to balance the two? do not know.

By the way: "Alive" refers to the movie version, the novel is slightly better, but Yu Hua... I don't know how to say he is good =. =

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Extended Reading
  • Clotilde 2022-03-27 09:01:08

    This film was adapted by Iranian female illustrator Maja Shatasser from the cartoon of the same name who recalled her personal experience. Starting from the Islamic Revolution in 1979, it tells the history of the motherland's baptism of war and the harshness of religion on women, combined with her own acceptance. Western culture and the upbringing experience of leaving home vividly and profoundly reflect the social turmoil and changes in Iran. In the film, there is a scene of secretly buying a tape, which looks very cordial

  • Tiara 2022-03-25 09:01:09

    The ambition is too big, the pattern is too small. The real version of the soft run, but also ran 2 times. The pretentiousness of the elites, who are stained with French idealism and show off the GC ideas, carry a bit of Zhang Yihe-style lament (this seems to be a common problem of the declining "aristocracy"). The background of the times and all the sacrifices were consumed as if for nothing except to add seasoning to her lamentation and adolescence rebellion.

Persepolis quotes

  • Doctor: [just heard her life story] There's a name for your Condition. It's called Clinical Depression! I can give you some pills, would you like to try them?

    Marjane as a teenager: Yes, thank you Doctor.

    [Downward spiral into suicide attempt]

  • Marjane (voice over): Anoush is dead, it's over.