The tsunami at the beginning of the film is very realistic. It is said that the special effects this time did not cost too much, and the low cost can be done so realistically. This reminds me of the film "XX" by a famous director named Feng Fei in mainland China. Typhoon", can't help but feel ashamed. In retrospect, the inability to produce such a realistic picture in China is probably not only due to the lack of film technology, but there is also a big gap in the director's attitude and shooting skills.
However, after the tsunami, the rhythm of the film also became calm and even a little dull. Although I didn't have much expectation to watch the film after reading the introduction of the film, I was still quite dissatisfied with the overall rhythm of the film, especially Matteda Meng's character feels even more a failure. His acting skills have not been fully developed. A psychic who pretends to be false does not need to be deliberately reserved every time, and every time "unexpectedly" for the characters of the film To carry out the so-called psychic, of course, such a character will eventually need to thread the needle for several parallel narratives. It is inevitable that some non-scientific means will be used to achieve the final non-scientific narrative purpose of the film, but such a role performance can be completely different. There is no need to deliberately pursue eccentricity. The twins in the film are said to have no previous performance experience, and such a simple and authentic performance still looks very cordial.
I'm not quite sure what the ending of the original novel is, but at least the vague ending at the end of the film always brings some unpleasant grievances to the audience. It takes energy and money to shoot it out! From Sandy
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