"Foreign-related Hotel" is an example. Although there are many old British dramas, and they still have the love of the corrupt country-gay design, but from the warm appearance, the matching of the main line and the sub-line, and the happy ending at the end , is undoubtedly very Hollywood.
Under such Hollywoodization, it is also proportionate. The love between Judi Dench and Bill Nighy is the most important line, but the director's proper control makes the unspoken relationship between the two extremely delicate and touching. At the end, blocking Nai's march, so that Nai's wife had to take the initiative to leave alone. Her remarks were very touching, and she also reversed this disgusting woman who seemed to be full of complaints from beginning to end. So, in fact, it's nothing more than right or wrong, it's just that everyone should let go and find those people and things that are better for themselves, and Nai's kindness just suspends those good things. Nighy returned to the Grand Hotel the next morning, and a conversation with Dench seemed bland, but it was exactly the way people of that age fell in love, plus at the end, he rode a motorcycle with Dev Patel and his girlfriend. The shot is cut together, and the elderly couple are also riding motorcycles. Nei's floral shirt and Dench's bright orange gown are particularly moving. Nye has a very British sensuality, tall and thin, with a seemingly serious sense of distance, and a bit of evil. However, his role in this film is really different from that in "Pirate Radio". When I first arrived at the Jaipur Hotel, I had a conversation with Danqi when I helped her on the phone, and the British humor was exciting enough.
Tom Wilkinson played gay again, hugging an old friend when he was a teenager, and his actions were well measured.
What is an old drama bone, is the intangibility of drama. Even in a group show, they don't deliberately compete for the scene, which is such a calm confidence. At the end, seeing Maggie Smith as the deputy manager of the hotel facing customers, she suddenly thought of being the proprietress of "Evil Under the Sun" when she was still Xu Niang.
I remember watching "Flying Over the Nursing Home" a few months ago. The film seems to be complete without major problems, but there are always unspeakable dislikes. Now it is very clear. Some of it is the problem of actors and performance style, but it is actually a problem of the Chinese people and a problem of our (including the director's) values. We are trying to be humorous, to be free and easy, and to be positive, but it is precisely because we work too hard, so we don't touch people's hearts.
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