The exteriors are equally well-lit, with bright sunlight during the day and flickering lights at night, rarely pure black or bright white.
The music is great, just right, melodious, weird and gorgeous, and it goes well with the colors.
The whole movie is connected by details. Diaries, photos, posters of a streetcar named Desire, smoke, and breakfast are all indispensable plot needs.
There's Manuela, Lusa, Lusa's mother, and even Nina finally giving birth.
Yan Mi is a LES, Ayue and Lola are both transgenders, the main male actors include son Estherban, Lusa's father, and an actor in the crew, males only play a connecting and foiling role in this play. It's a movie about a woman and her mother.
In addition, the shot is very smooth and stable, but the emotions are strong and exposed. The script plays a very important role. The script is not only the plot, but also the color and music of the scene, as well as the set props. It still looks like a delicate movie.
I wanted to watch this movie for a long time, because I thought I would cry a mess, but I did cry, but fortunately there was no one around.
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