On AA FILES, I saw REVIEW comparing Almodovar with the design, and the huge poster made of the mother's face radiated from the pages. It wasn't until I watched this movie that I realized that everything was so beautiful and indescribable. In the film, Ayue described the audience in the theater in two minutes calm language. In the rain, his son clenched his yellow notepad and slapped the car window. The mother went to the dressing room for the first time. Wall, move to the hallway, and switch to the dark blue room door. The wallpaper in my mother's room, the graphic changes with the motif of circles, especially several similar and complementary colors, occupied me time and time again. Until the end of the film, on the way to the hospital to give birth, I met the girl's father and the old dog again, the two short dialogues in the scene "how old are you this year" and "how tall are you", I have to say that I really like this script , decisive and straightforward, without any sloppy, pretentious. The foyer of my mother's apartment, with its black-and-white parquet and the half-circle stained-glass doorway, is all Spanish, and it doesn't stop you from admiring it, whether it's Gaudi or not. In the end, Lola's appearance, death, the growth of the child, and the mother's hair change from straight to curly, the specific ending of the story seems to be unimportant. When it ends, the subtitles simply type "Dedicated to..." The time is in place, and there is no sensationalism. When I remember the name of the drama at the beginning, "A Streetcar Named Desire", even transgender, AIDS, drug addiction and all kinds of embarrassment are no longer decadent and ambiguous.
You can use various accents to comment on Almodovar, but for Almodovar, I think he has been doing what he thinks is happy, even if he doesn't share it with others, you must know that happiness sometimes doesn't need to be shared .
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