After watching Nightmare in Dongcheng, I am addicted to Kate's acting. Each of her roles is difficult to associate with the state of the actor himself. The hair is transformed into orange and blue, with some playful warmth and light, and the charming Titanic and the readers, including this Dongcheng Nightmare with nasolabial and forehead lines and out of shape, just watch it for five minutes, I was persuaded by her performance and empathized with her. She designed many actions for this fusion character of the resolute sheriff, the broken mother, and the guardian of the town, such as vigorously sniffing, shrugging the collar, and rough and neutral. But he is still very charming, his actions are resolute, his expression is indifferent, he is wearing a jacket, has a ponytail, and his forehead is full of broken hair. Looking at domestic film and television works, actresses around the age of 40 are still well-dressed, including actresses in love myths, including the aunt of the first incense, their skin is more delicate than their peers, and their bodies also maintain concave and convex lines. As an audience, as a woman, I am still vaguely anxious about this: when I get old, if I can't maintain a beautiful image like them, what will I do? Time pushes me towards an inexorable aging. But looking at Kate, who has aged calmly, naturally, she is so powerful, and her mood seems to be calmer. The charm is only placed on the appearance, the time goes by, and every time you look in the mirror, it always makes people panic. But if it's looks, movements, words—that kind of detached fictitious finger, the kind that conveys professionalism, steadfastness, and confidence—it seems to be able to make a difference to old age (or more extreme maturity) Looking forward to it.
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