This feels the same as the scene where the male lead and the male second quarrel. The male second said that without you, I was the way you were before you came, but I prefer that. Then the male lead looked at him and left silently for a while. I especially want to add a sentence for the male lead "you think you deserve the A but you told me you like those days".
It feels that not only the men's second, the entire team is depressed a bit perverted.
Of course, the person with the most traditional sportsmanship in the film may still be the male lead, although I just learned that ice hockey is so far away from the general understanding of sports (to be honest, won't fighting on the court distract a lot of energy used in playing?), also I’m not very familiar with the rules of ice hockey, but I can see in the film that fighting is indeed part of the rules of ice hockey. However, the two generations of celebrity fighters chatting in the restaurant deeply feel that the hero still feels that they are part of the team. Being an "hockey player" rather than just a hitter, and the concept that fighting with an old hitter is different from playing ball seems to be no different.
According to the terrible achievements of the male protagonist who used his ass to score and block the ball with his face, there is nothing wrong with saying that he is indeed an ice hockey player (different from a beater).
I looked at the introduction before and thought that the will and skill of the male lead to call back the male two as a player was the main line. In the end, I still watched too much. This is just part of the male protagonist becoming a player (in fact, the guy is the second male lead because he has a good relationship with the male protagonist, right? There are several male roles that are similar in importance and can’t tell who is the second). It's not because of the shadow of the male second that the hero finally beat the old thugs, it was just "the arrival of a new era". It's for himself. Even if the male second has not been beaten by a veteran thug, the two generations of thugs will pinch such a match. The poster is made like this, which can explain the problem. Although the veteran beater casts the shadow of the second man, he is not a negative image in the film. After all, this is still a part of ice hockey. If it is other sports, the old fighter can be classified as a villain (but there will be no such position as a fighter, and the male protagonist who fights will also become a new generation of villains).
The two coaches of the veteran beater and the male lead can almost be regarded as the image of a teacher, or the person who guides him on the path of his player, more like an ideal father image than the parents of the male lead. The male protagonist’s brother and relatives are enough to express the image of brother-friend, and the scenes between brothers and friends are also super moving.
I think it’s enough to have these characters. In addition to explaining that the male lead is not gay, the part of the heroine plays a role of "fishing yourself out of the messy life". It is of the same nature as the male lead. The story lines set off each other, but I really don’t understand why the male protagonist is so obsessed with the female protagonist. What is there to be obsessed with? Ah? The hostess is also weird. It would be nice to say that if you don't fall in love with the host, why do you associate with him if you haven't liked ex at all? When you make a phone call and say you don't want to break up, you think of other people as something. Ex is also strange, the heroine has a hockey player he likes is normal, why does it always use a weird expression to cheer on the hero when watching the ball, even if this expression does not affect the heroine to break up with him Then he beat the male lead to vent his anger.
So in fact, the heroine is the heroine because she is in love with the heroine.
Although the male lead is the decisive factor of the female lead's line, the only indispensable role the female lead plays in the male lead's story line is to make the male lead be beaten by her. Although it is to weaken the male lead before the battle, it is appropriate to make him OOC for this? Go to the screenwriter before the game. Are you kidding me? So there is no sense of responsibility. Is this the thing that the male leader who cherishes the team from the beginning to the end? Of course, the old fighter is much older than the male lead, but is it not enough for the male lead to be smashed in the face by the ball and stepped on the leg by the ice skates to bring them closer? What's more, the decades of experience gained by the old thugs? (Huh, but the whole movie didn’t talk about whether fighting on the ice rink requires skill.) In the
end, the nympho was a soft and fierce male protagonist. It’s been a long time since I met such a cute male protagonist. I really like this kind of gentle and big dog-shaped character, with big wet eyes and teeth that bite off his head, ah ah ah ah ah ah.
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