Don't shoot if you can't let go

Lucie 2021-12-19 08:01:22

Discussion about 50 degrees ash. There is a word called "phenomenal movie." Is it the first time that this kind of orientation has been put on the screen as a positive affirmation? This may be more significant than the success or failure of the film itself. It seems that there should be 2 and 3 in this film. The general idea is that the male lead seems to be guiding and changing the orientation of the female lead in the process of manipulating the female lead, making her the same sex partner as the previous 15 people, but In fact, because he really fell in love with her, he actually turned into a heroine and changed the hero. It should be that the hero gradually formed a normal outlook on love and sex. Due to admiration and curiosity, the female protagonist gave in to the male protagonist's behavior, which gained time and opportunity for mutual transformation between them. This point makes sense. However, in this way, the significance of the conceptual revolution brought about by the first part may be weakened. Movies, like people and society, also choose and move forward in contradictions. Except for medicine, most people actually want to know about the various ideas and explorations about the body and physical feelings. There are also a small number of people who boldly break through and try. Industries and economies that meet this part of human needs have existed since ancient times. From what perspective should we look at people’s psychological needs arising from their physical needs? Just like homosexuality, various hobbies, as long as they do not harm the health and safety of other people, and have common interests, are they necessarily immoral and invisible? Human, can it only be regarded as a low-level existence in A-film? Or should it be the same as whether a person likes to drink or talk, which should be respected and understood as a personal normal bias?
The movie itself is really not that satisfying. Because the story just unfolded, the love between the male and female protagonist can only be at the preliminary stage. Due to the special hobby of the male protagonist, he skips the process of dating and creates romance and directly enters the desire mode. Although there is a plot of flying a plane, it is obviously only staying in one. Seduced by being tall, rich and handsome, a state full of Cinderella's surprise and curiosity. However, there are several points in the film that are foreshadowing the follow-up. For example, for a kiss in the elevator, the male lead said, go to his contract. Here the male protagonist has started to deviate from his rules of the game. There are also several places behind. It can be expressed. Although the male protagonist thinks that he is already a master in this way, and is only aimed at solving his desires, he has actually taken the initiative to the female. In fact, this number of lines has been very popular in online novels in recent years, collectively referred to as "presidential writing", the basic male and female protagonists are such a type and such a match.
The love scene is really disappointing. The level of shooting, the standards of the director, the use of light and color, none of them work. It's not that the actors don't work hard. If you really want to challenge concepts, you should at least give reasons for beauty, and at least prove that the protagonist’s words "make you feel better." Try it for the first time, haha, a director who has not fully let go, it is estimated that it is difficult to grasp the scale and not make a film below the third level.

View more about Fifty Shades Darker reviews

Extended Reading

Fifty Shades Darker quotes

  • Anastasia Steele: [on the yacht, as he prepares to hoist the sail] So this is where your knot-tying expertise comes in.

  • Anastasia Steele: [entrance to his playroom] The door was, um, unlocked.

    Christian Grey: I'll have to talk to Mrs. Jones.

    Anastasia Steele: Does she come in here a lot? Does she, like... does she... does she... dust in here?