These days, everyone is following the trend, making gimmicks, making everyone a yin and yang, and their sexual orientation is unknown.
Those who really can't break free from their shackles are always powerless.
Teena is hurt, but trying to be happy. I like her.
In the public, the injured people always look like they have finished suffering, but they don't know that these days, the most worthless thing is: sympathy.
Maybe she knows women's hearts too well, so she can easily catch their hearts, and even their bodies. This is a bit idealistic.
However, when the plot develops into the hysteria behind, Teena's gender inferiority is highlighted.
She is an unchangeable woman, so she has no power to reverse the tragedy.
Those men are really TMD perverts! When that scene flashed back, I was kind of frantically angry.
In fact, knowing that begging for mercy is useless, compromise is inevitable, but Teena broke my heart, and she still knelt down.
The comfort between women is just a powerless buffer.
The gunshot rang, and there was no time to respond, no time to cry, and this time, it was even more time to beg for mercy.
The music at the end is light and distant, and the screenwriter is once again idealistic.
Swank's face is very tough, and I especially like her profile, which is neat and soft.
It is a pity that this is not appreciated by the mainstream forces of society - men.
Boy, don't cry.
Crying is actually a compromise.
Do not cry, or compromise.
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