I've discovered that smart and eccentric people are often the protagonists. We viewers love to see how "different people" survive.
Round face killer, very fashionable, sweet and perverted. Our common perverts are twisted and grotesque. Not here, the sweet and pleasant appearance is ruthless and decisive, occasionally softening and disappearing quickly. Such absurd character has laid a lot of ground for her to make her reasonable, but I think it's still absurd, or just understand that she is born perverted.
The role of Eve is well-acted, with that clever recklessness. Reckless people generally have a bit of confidence and a sense of superiority. Eve has no sense of superiority, she just did what she thought she should do. I know she's in trouble whenever her eyebrows start moving, and she's never quiet, so she's been in all kinds of trouble. Amid all kinds of trouble, she gets closer and closer to the perverted sweetheart. Ah, the damn fate. I suspect that the old man pulled the wire forcibly. I really feel that I am destined to love you.
Eve stabbed the perverted sweetheart, and the little sweetheart finally opened her heart to love again, and was stabbed. Eve is probably panicked, but her fighting ability to stab a little pervert proves that she has absolutely no hesitation, and must be carefully planning every step of the way.
I don't see any significance of sublimation. I was hurt by doing reading comprehension in school, looking for meaning in everything I saw. It hurts not to find me.
I want to force the sublimation: loving you is not far away, killing you.
View more about Killing Eve reviews
