I've discovered that smart and eccentric people are often the protagonists. We viewers love to see how "different people" survive. Round face killer, very fashionable, sweet and perverted. Our common perverts are twisted and grotesque. Not here, the sweet and pleasant appearance is ruthless and decisive, occasionally softening and disappearing quickly. Such absurd character has laid a lot of ground for her to make her existence reasonable, but I think it is still absurd. The role of Eve is well-acted, with that clever recklessness. Reckless people generally have a bit of confidence and a sense of superiority. Eve has no sense of superiority, she just did what she thought she should do. I know she's in trouble whenever her eyebrows start moving, and she's never quiet, so she's been in all kinds of trouble. Amid all kinds of trouble, she gets closer and closer to the perverted sweetheart. Ah, the sweet damn fate. I suspect that the old man is forced to pull the wire. At the end of the season, Eve stabbed the perverted sweetheart, and the little sweetheart finally opened up to love again, and was stabbed. Eve is probably also panicked, but her ability to fight a little pervert proves that she has absolutely no hesitation, and must be carefully planning every step of the way. I don't see any significance of sublimation. I was hurt by doing reading comprehension in school, looking for meaning in everything I saw. It hurts not to find me. So here I want to force a sublimation: "Love you is not far away, kill you.
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