In terms of character design, I have reached an understanding with everyone around Anna. Everyone else is so understandable and reasonable. In the end, only Anna herself is not human. People outside say that making irresponsible remarks is uncontrollable. It is rare that people close to her love her and understand her. There is no reason to die, but they still seek death resolutely. Who can rely on this? The reason for the tragedy lies in Anna herself, because she has so much courage but not enough courage. She was able to walk out of the family and leave her unloved husband, but under the pressure of public opinion, she failed to protect her inner peace and balance, so she became an unreasonable and unapproachable jealous and resentful woman. Unlike Sophie's version, Knightley's version of Anna doesn't seem to love her son so much. Although she misses her, she leaves without hesitation. Maybe Knightley doesn't seem so motherly.
The clothes are very delicate and gorgeous, quite impressive. However, at the dance where Anna appeared in Moscow, it was a bit too much, and it was far from the original. Looking at her ridiculously curly hair and pretentious bird feathers, it was obvious that she was here to steal Katie's limelight.
This edition of Voronsky does a good job of interpreting the meaning of the word seduction. Love, although generally considered unreasonable, if it happens to a person whose life is already complete, then in addition to sex, the only thing left is an obsession with youth and beauty. And in some previous versions of Warrensky, it made people wonder if Anna burned out her skull.
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Are there any key plots revealed? Do I still need to reveal the plot of this film? !
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