Saw version 62 and 97. Reminds me of the Japanese novel "Idiot's Love" I read before.
Forbidden love is more oppressive, more obscure, heavier, more frantic, more desperate, more exciting and more lonely because of the taboo.
Those rare sensory experiences in love are easily accessible because of taboos, intensified by taboos, and unique because of taboos.
Of course, acts that cause harm to the parties should not exist, but the existence of forbidden love itself is beyond doubt. Avoidance and condemnation are useless, face-up and correct guidance are the right way.
The following is about the video.
The plot of the 62 version and the 97 version is roughly the same, but the sensory experience is very different. In the 62 version, the hero and heroine did not have any intimate contact shots, but the heroine was full of temptation; in the 97 version, the hero and heroine had a lot of intimate contact shots, but the director wanted to create an atmosphere of soul love.
Comparing the director's design and the actor's performance in the same plot will reveal some interesting things.
The appearance of the heroine
All beautiful, all become classics. There is no good or bad, just a matter of personal preference.
Shaping the heroine
The heroines in both versions are a little boyish.
The 62 version shows the heroine's boyishness through some of the heroine's behavior, which is revealed inadvertently. For example, when the heroine turns a hula hoop and dances, she can feel that she is not as soft as a girl, like a tomboy.
The 97 version creates this kind of temperament by letting the heroine run wildly. The heroine is really running too fast, and I can't take a screenshot. You can feel it for yourself. But it can be felt that this version of the heroine's boyishness is deliberately created, because after the final pregnancy, some of the heroine's actions are too soft and contrasting.
Eat breakfast
The 62 version of Lolita ate Humbert's bacon, and then started chatting, during which Lolita kept eating a cake, and it was very cute and very appetizing.
The 97 version of Lolita ate Humbert's bacon, then sat on Humbert's lap and started flirting, and stuck chewing gum on an article that Humbert wrote... It's kind of annoying... I don't know. How Humbert fell in love.
Lolita is going to summer camp
Version 62 was just a normal slightly ambiguous farewell. Then Humbert lay down quietly on Lolita's bed.
Version 97 is a hug. And then Humbert pounced on Lolita's wardrobe like a pervert...
Humbert receives Charlotte's confession
The 62 version of Humbert, to be honest, is not as handsome as 97, and it is a bit wretched. But the show was so good! Great acting! He read Charlotte's letter and laughed, the more he laughed, the more stupid he laughed at Charlotte's stupidity, and how he finally had a legitimate reason to stay here and be with Lolita.
The 97 version of Humbert had little to do with the plot, read the letter very calmly, and married Charlotte.
Charlotte discovers the truth
The 62 version of Humbert was at first at a loss, didn't know what to say, then went downstairs to pour a drink, and then made up a pretty complete lie, which fits his literary character very well, hahaha. And when he received a call that Charlotte had a car accident, he was very disbelieving at first, even joking, acting too naturally.
The 97 version of Humbert was also at a loss, but his defense was very pale, and he even said things like "Charlotte, you can't ruin our lives"... um... On the issue of dealing with husband and wife relationships , EQ is anxious.
After Lolita got the news of her mother
The 62 version of Lolita is really bitter and pitiful. It is very natural to lie on Humbert's bed, and form an intimate and natural posture.
The 97 version of Lolita crying and crying standing by Humbert's door, a little contrived, haha. And then the night was indescribable...slightly ruthless...
Lolita meets Humbert three years later
The 62 version of Lolita is still an ignorant little girl.
The 97 version of Lolita suddenly became very deep, with a lot of stories in her eyes.
Humbert starts crying after giving Lolita money
The 62 version of Lolita seems to have grown accustomed to Humbert's crying, and you don't have to look to know he's about to cry again. He was accustomed to despise his crying.
The '97 version of Humbert gave a symbolic cry, and Lolita didn't mention it at all, just grateful for his money.
Humbert leaves
The 62 version of Lolita held the money in one hand and said that she would write to him, still ignorant. A little bit sad about Humbert.
The 97 version of Lolita is suddenly very deep, holding her stomach, exuding the brilliance of motherhood... I have a feeling of resentment, I don't know how fat four...
supporting role
Charlotte
The 62 version of Charlotte is much cuter than the 97 version of Charlotte, with more shots, more refined lines, and a natural progression of the emotional line with the hero. The 97 version of Charlotte lacked a lot of features, and there was almost no emotional connection with the hero. Suddenly, she confessed. After discovering the truth of the hero's diary, she actually said that the house can be given to you. I don't care... this... should not be It's what a single mother said... and the house was originally hers... where is this from...
Quatley
The 62 version of Quetley is also more vivid. The process of being killed is placed at the beginning of the play. It is very exciting and can feel a strong desire to survive, haha. The 97 version of Quetley had almost no scenes, and the process of being killed was unnatural everywhere. After being shot, he rushed into the room and sat down to play the piano.
The 62 version has a lot of details and I like it very much
Lolita in '97 does a lot of things that I don't think are particularly cute
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