What is very different from "Blue" and "White" is a strong light in "Red". That strong light hits requires a background.
"Truth" is one of the common themes of "Blue", "White" and "Red". It is also a common theme for all masters. Those who walk in the dark tunnel of exploration know the damage of "truth" to human courage, or even irony and irony. What then hurts irony is the human belief and emotion of courage and light. The truth is the source of blackness.
In "Red", the faint heartache in the heroine's heart of compassion seals the truth. The truth of human nature obtained by the retired judge through wiretapping is still sleeping in this corner of wiretapping. It didn't spread, it didn't crack. When the heroine sees the young girl who is also tapping the phone of her gay father, she has an inexplicable love for perfection or some kind of beauty in her heart, which makes her seal the so-called justice or public morality. In other words, the judgment of "evil" is sealed.
Probably the source of the light is here.
"Why didn't you say it?" The old judge asked
the heroine with a sad expression when she thought of the girl and her mother who didn't know her at the time. She couldn't speak, and she couldn't answer at the moment.
"Is it guilt? Or fear of being hurt?"
I forgot the heroine's expression. Probably before she could express her expression, the old judge continued, "Don't move, a beautiful light will come in in a while." The light slanted through the window. glare. Swipe across and cover up the actor's face, strong, long, slanted, shifted, just shoot this light.
View more about Three Colors: Red reviews
