But the back is just so-so~~~ I can't keep up with the aura in the front. The whole film is also worth watching. The story of Killer Katalia seems to make love in addition to killing people, although the killer's life is like this, and it is suitable for simplicity. But I still hope that the director can dig more stories and emotions from her, and show another part of the killer from other aspects. Perhaps this way the film will appear more substantial, and the characters will be more in line with the needs of the film.
In addition, this Dominican killer of Catalya is too hot, especially the part of changing clothes in the dark prison, oh my god, it's so sexy.
Isn't this awesome B Boss very domineering at the beginning, why is he hiding behind him like a grandson in a corner where he doesn't know what it's called?
Marco is definitely the best one in my opinion, hey, those little blue eyes with sunglasses, cool! It turns out that someone else was originally a director.
And the last point I didn't quite understand. When the girl got on the bus after the phone call, the camera shot to the fat girl sitting on the bench (it should be the police officer who was investigating the photos of Catalya privately), the director thought Express what?
In the end, the most movie still has a lot of similarities with Luc Besson's "The Killer Isn't Too Cold", um, maybe, Mathilda can't turn black when she grows up, haha!
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