For the sadness that is about to be forgotten

Catharine 2022-04-23 07:02:06

The combination of modern art and road movies, especially the sad western-style music, reinforces the feeling. To understand this movie, you have to have a broken soul. This is also the western 80 The main theme of the art of the age. In the eyes of our violent nation, it is really absurd that a small Vietnam War has caused such a heavy blow to the hearts of the powerful Americans and Westerners, yes, this is the essence of Western modern art ...

I remember when I watched this movie, it was in the late 1980s, in a middle school cinema in a second- and third-tier city, and then I rode a bicycle on the road after the snow in winter. Although I don't know what modernism is, what is literary Des, but just because of the absurdity, he felt moved that he understood it. The reason why he could understand it was because his soul was injured, which brought his understanding and sadness to the absurd.

This feeling of modernism, along with The arrival of the new century Internet bubble in 2000 was washed away, modernism, petty bourgeoisie, absurdity, sentimentality, etc., were all washed away by the fast-running era. It is difficult to remember the original rebellion and escape , just because the times are changing too fast.

The key word of the new era is change, quantitative easing, and the real estate bubble is QE123. In the face of this powerful force, even bin Laden sighed and called on to keep up with the pace of change, and more Not to mention the post-war modernist art, absurdity, loneliness, and those people who feel lonely now are simply
out of place and stupid. The only advantage is that they can no longer run around, and they can organize themselves through the Internet as an otaku and otaku. life, including occasionally flipping through the memory
of this Paris, Texas, to miss the once young and frivolous self...


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Extended Reading
  • Howell 2022-03-27 09:01:06

    Wenders' male lead has almost no history, so when [Paris, Texas] Travis starts trying to tell his own past, his clumsiness is hopelessly on-screen. The climax of the film's climax, where the ideal projection and the reality are intertwined, is astonishingly beautiful in scheduling, but we still frown at the ramblings of the two monologues. Both men and women were embarrassedly caught between the present and the past, unable to emit any light.

Paris, Texas quotes

  • Walt: I thought you were afraid of heights.

    Travis: I'm not afraid of heights. I'm afraid of fallin'.

  • Walt: We live in the suburbs, but I've got my business in town

    Travis: Oh yeah? What's your business?

    Walt: I make billboard signs for advertising.

    Travis: Oh yeah? So *you*'re the one who makes those signs, I love those. Some of them are beautiful.

    Walt: I'm not the only one who makes them, Trav.