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good story
Alexzander 2022-04-22 07:01:25
Checked it out, this film won numerous Oscar awards back then, but for now, movies and TV with this theme (the pauper meets the princess or the ugly duckling meets the king and the duck meets the prince) are too much. More, many idol series now are almost copying this model, which shows the popularity of this model. I think the reason why this film won the award was because it moved this theme to the movie screen earlier and the actors' performances were really incisive. From the current point of view, this is a good story, but it is also a relatively common story, but don't Forget that this movie was made seventy or eighty years ago, it was a good thing to be able to make it like this at that time. Black and white films give people a sense of stability. If I were to shoot such a color film with this theme, I don’t think I would sit in front of the computer and watch it safely!
Extended Reading
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Wilbert 2022-03-20 09:01:44
Barely passing, this story is already a template. This film is a little adventure mixed with accommodation and rides. It is filled with a lot of light force. Night", "Roman Holiday", etc. are better than this. And I'm also very disgusted with this kind of man who can fall in love with each other without any hassle. Whether he loves him or not is the first thing he sees. Can this be changed? Can you fucking trust it?
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Brandy 2022-03-25 09:01:08
7. The romance films of nearly 80 years ago have been imitated too much. It may not seem new now, but it is still an interesting work
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Peter Warne: [Detectives are looking for Ellie] What do you mean, coming in here? What do you want, anyway?
Detective: We're looking for somebody.
Peter Warne: Yeah, well look your head off, but don't come busting in here. This isn't a public park. I could near as take a sock at you!
Detective: Take it easy, son, take it easy.
Mr. Dykes: These men are detectives, Mr. Warne.
Peter Warne: I don't care if they're the whole police department. They can't come busting in here, shooting questions at my wife.
Ellie Andrews: Now, don't get so excited, Peter. The man just asked a civil question.
Peter Warne: Oh, is that so? Say, how many times have I told you to stop butting in when I'm having an argument?
Ellie Andrews: Well, you don't have to lose your temper!
Peter Warne: [mockingly] "You don't have to lose your temper." That's what you said the other time, too. Every time I try to protect you. The other night, at the Elks Dance, when that big Swede made a pass at you!
Ellie Andrews: He didn't make a pass at me! I told you a million times!
Peter Warne: Oh, no? I saw him. He kept pawing you all over the dance floor!
Ellie Andrews: [the detectives stand there, flustered] He didn't! You were drunk!
Peter Warne: Aw, nuts! You're just like your old man! Once a plumber's daughter, always a plumbers daughter! There isn't an ounce of brains in your whole family!
Ellie Andrews: [sobbing] Oh, Peter Warne, you've gone far enough! I won't stand for it anymore!
Peter Warne: Aw, shut up!
Mr. Dykes: Now, you see what you've done?
Detective: Sorry, Mr. Warne. But, you see we've got to check up on everybody.
Detective: We're looking for a girl by the name of Ellen Andrews, you know, the daughter of that big Wall Street mug.
Peter Warne: Yeah? Well, it's too bad you aren't looking for a plumber's daughter
[to Ellie]
Peter Warne: QUIT BAWLING! QUIT BAWLING!
[Ellie sobs even louder]
Mr. Dykes: I told you they were a perfectly nice married couple.
[Mr. Dykes and the detectives leave, and Peter and Ellie start laughing]
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Ellie Andrews: Outside of the fact that you don't like him you haven't got a thing against King.
Alexander Andrews: He's a fake, Ellie.
Ellie Andrews: He's one of the best flyers in the country.
Alexander Andrews: He's no good and you know it. You married him only because I told you not to.
Ellie Andrews: You've been telling me what not to do ever since I can remember.
Alexander Andrews: That's because you've always been a stubborn idiot,
Ellie Andrews: I come from a long line of stubborn idiots!