The funny thing is that the murlocs have an American accent while "Lugua" is an Italian accent.
The storyline is great... I don't think it's a cliché at all, it's reasonable and has ups and downs and turns, and the ending is still an open ending, I like it.
It's so beautiful, I like this ending scene. The two bid farewell to the fish and it was raining. Abeto, who stayed in his hometown, chased out and drenched in the water and turned back into a fisherman. The train accelerated away from the station and entered the cave. Luca kept his human image and waved. When the train came out of the cave, the water turned into a cry of fishermen. This cave should also be the first time they saw the train passing by and finally disappeared here.
I really like the last part of the old aunt tearing up the wanted order. Stereotypes precede people, but people should always be more vivid and credible than stereotypes... I feel a little sad to contact the status quo. Under the influence of covid today, discrimination Prevailing, the estrangement between humans is deep, and the people in the small town and the "sea monster" may be able to embrace each other, but what about Genoa? Grandma said that luca chose kind people, which seems to have given some hints, but the ending is still open, leaving it to each of us to think... Or we can also decide the ending, right?
The part about family education is also good. The three protagonists and three completely different families. The lively and lovely Giulia's parents are separated. Her father is a disabled person. The father doesn't care much about the child, the mother is severe and anxious, Alberto's father abandoned him early….
I really don't understand why some people think this is an lgbtq movie, because two aunts who seem to be town residents suddenly become "sea monsters" at the same time, or is it because Luca and Alberto are the same little boy, the same " Sea monsters", didn't develop a relationship with Giulia, or did Alberto show monopoly? Friends, please, please respect friendship and love. It's really annoying that a good friend is taken away by someone else, and Alberto is a child TAT abandoned by his father.
The atmosphere of the film is so Italian, but I've never been there, just got a glimpse of it from some vloger footage. When Giulia's father made his debut, the bgm was 'Make way for busy people' in "The Barber of Serbia". Later, an old fishing man hummed "The Changeable Woman", and the phonograph in the beginning was really I didn't hear it, the colors are really bright and beautiful.
Love Giulia's red curly hair
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