The film is fast-paced, and the biggest reversal in the film seems unexpected, but it is actually expected. The whole article builds a large world framework, but it also lays the groundwork for the later in many details. Throughout the film's American-style cold humor, Kane's "ugly came out early in the morning to make trouble", laying the foundation for the film's human victory. A close-up of the pen from the look in the eyes of the new priest when he saw the pen of the old priest. There is no shortage of inferences about the reversal of the new priest at the end. The details of the film are in place, but there is no surprise. But I don't particularly understand, what is the director's intention in the often-appearing New York long-range shots? Why do witches have to be ugly and evil in people's minds? Why is it not beautiful and stunning? If the new assistant's anti-bones is because he is a wizard, it is understandable? And why did the witch who helped the protagonist help humans? Well, for the time being, this can be understood as the shining halo of our protagonist. Our protagonist is handsome and domineering, making the witch fall in love with him. The emotional handling is relatively rough, as if it was an emotional drama that was forcibly added. To be honest, I can't appreciate the gothic style that runs through the whole film. The director may have deliberately weakened the time and highlighted the construction of the world frame. The witch and the gothic style will naturally remind people of the dark medieval times in Europe, but they did not weaken the time point with the success. Perhaps there are many moviegoers who came for Vin Diesel, but came back disappointed, should have the most exciting climactic fight with the witch but were lackluster, maybe they prefer his image in Fast and Furious.
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The Last Witch Hunter reviews