The concept of time is introduced as the main thread of the story. At that time, the movie had basically gone astray, and there was a sense of sight that did not know which latest sci-fi movie it became. Why not use the stalk of getting bigger and smaller as the main line of the film. In fact, except for the chessboard and egg that I just saw in the mirror, it has nothing to do with the original... A pot of stew... What the hell is wrong with the hatter's good friend... Some people say "why is the raven like a writing desk?" because The Mad Hatter loves Alice...let me spit out old blood first. The fullness of the character is not to give him a warm family background, but a reasonable exposition of the character's characteristics. It would be much better if it could be changed to the reason why the Mad Hatter is so crazy. The motivation of the whole film to find the Mad Hatter family is really unbearable, so removing the character of Alice can still complete the adventure, and it is not impossible to replace the protagonist with the hat itself. Alice's greatest essential characteristic is curiosity, and there is no such description in the whole film.
The point of personal dissatisfaction with Disney's live-action adaptation is that what about the young girl? The first part starts to talk about marriage, and the second part is more straightforward and explicit about family ethics. Has nothing to do with innocence or imagination? Forcibly interspersed with the family relationship in the Mad Hatter's house, the contradiction between the red and white queens, and Alice's emotional line... It is not absurd at all, boring and uninteresting. What I want to see is the interpretation of innocence, imagination, and absurdity from an adult perspective, not feminism, time travel, or "love".
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