Deliberately provocative, lacking emotional core

Godfrey 2022-04-24 07:01:07

It's a good movie that moves people to tears, but it's not the one that evokes tears deliberately. This film has a great idea, using the perspective of a little boy to reflect the scars left by the 9/11 incident in the hearts of Americans. The Oscar nomination also proves that his bad reviews on Metacritics and Rotten Tomatoes are slightly biased, but it's definitely not a classic movie.

Several highlights of the film: 1. About the effect of "8 minutes" on children. 2. Using quick editing, the boy's continuously strengthened tone fully brought out people's fears. 3. The way to deal with the end.

What's bad: 1. The tear gas feels so obvious that a 9/11 side story feels more sad than anything else (I think, poor Brazilian slums and war-torn families in the Middle East are much more tragic than this bourgeois loss Bar). 2. The characterization is not enough. Except for the little boy, other characters are superficial (especially Sandra Bullock's mother image). 3. The boy's perspective is not changed enough. Everyone knows that Dedley likes to use little boys to tell stories (this is the third time he has done so), so the novelty is not enough.

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Extended Reading
  • Thomas 2021-12-14 08:01:15

    [3.5] The director tried to confess too many clues, which made it seem chaotic and messy. The lyric in the second half seemed to be groaning without illness, but in the end, he was firm and moved. Why are you not the one who died? When I add hostility to the tenants who are searching with me, and verbal abuse, I really feel sick to this little guy from the bottom of my heart.

  • Paris 2021-12-14 08:01:15

    The whole film is full of misses, and the transcendence of love and miss for loved ones is filled with Oskar's blood. I like Oskar, like his stubbornness, like his stubbornness, like his sensitivity and vulnerability, remember, he is only nine years old. Another: Max von Sydow once again dedicated a great performance without even having to speak.

Extremely Loud & Incredibly Close quotes

  • Oskar Schell: [voice-over] What if you could ride an elevator down to visit your dead relatives, just like you take the bridge to see your friends in Brooklyn, or the ferry to Staten Island? Dad once told me that New York used to have a Sixth Borough, right next to Manhattan. But you can't visit that anymore, because it floated away and no one knows where it is.

  • Oskar Schell: I'm sure people tell you this constantly, but if you look under "incredibly beautiful" in the dictionary, there's a picture of you.