There are two topics that come up in the Leap Year discussion of acting that I keep in mind. One is that someone asks how to see the acting skills of European and American actors; the other is how handsome people show their acting skills-then the male lead of this movie can be pulled out to entertain the audience. European and American male stars often make people face blindness, and it is difficult for people to notice how they act when they all look the same. When the male protagonist of "Leap Year" appeared without warning, he felt that he was dirty and malicious and very annoying, but as soon as the film ended, he immediately remembered the name Matthew Goode and planned to sweep all his works. At the beginning, the appearance was not a point of interest, but the character creation was so attractive that every time it was touched, I thought to myself, why does this man have a smirk that is comparable to Odakiri's smirk, the more he looks better. At first glance, it looks rough and unruly, but after the tenderness of the eyes behind the beard folds gradually becomes agitated and hot, wouldn't it be a matter of minutes for such a simple and lovely heroine to cut off the beard. Amy Adams is beautiful all over her body, this clumsy little cutie is an angel who needs to be carefully cared for, and it is absolutely impossible not to be loved. Her emotions can be said to be the biggest driving force of this film, and it is a joy to watch. I haven't seen such interesting love in a long time. We don't like brainless pure love, but we love to see unexpected encounters with strangers, and firm choices that are thousands of miles away, because in life, these two things are probably hard to come across in our lifetime. In order to prevent getting old, everyone should have a reason to imagine that in the beauty of the Nordic winter, in the town with clouds and mist, in the warmly lit tavern bar, there is a lover in this life, waiting for you.
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