Hugh Grant is actually quite cute, occasionally self-deprecating, a little narcissistic, and full of punchlines in seriousness, which is his usual image. "Music and Lyrics" is a new work by Hugh Grant and Drew Barrymore. inherited the characteristics of Hugh, but also added some funny elements. In addition to the traditional love story, it also incorporates thoughts about life. The lines are good, and the music is very moving. Taken together, it's a good movie.
Hugh is playing a past star this time. He was very popular in the 1980s. After 20 years, his glory is gone. Records are left unnoticed and performances are not guaranteed. Talent depleted, no new works, can only writhe the buttocks laboriously, sing old songs, and, albeit reluctantly, please the audience.Aggrieved for life, frustration permeates everywhere. Seeing him panting from exhaustion and twisting to the point of injury, you can't help but be full of sympathy. Disappointments in life can kill enthusiasm and courage. And Drew Barrymore has good talent but lacks confidence. He has been hurt, and he has never been able to get out of the shadow of failed feelings.
When you are disappointed again, there are always some opportunities. The key is whether you can seize them. Hugh finally had a big chance when a popular star asked him to write a new song. The difficulty is also obvious; the time is short, I can't fill in the words, and I doubt whether I can do it. There is no time to think too much. In order to live, he decided to do his best and strive for it. I think the best thing he did in his life was to drop the pretentious lyricist and use Drew Barrymore, and finally stick to his style. Of course, it was a medical emergency, but if he had a better choice, he would not have worked with her. It's a bit like some things in life are forced upon us, and there is no choice that will stimulate people's infinite potential in a certain sense. Drew Barrymore wanted to give up from time to time, but with Hugh's encouragement and persistence, he completed this new attempt. In addition to the harvest of new work, she finally opened her heart to face the blind spots of her soul. With the encouragement of Hugh, he went to the "idol" who had loved and was hurt by him. Although the attempt failed, he could not complete the challenge. (This is something I don’t quite understand. Why did the director arrange such a plot? It not only goes against the usual success routine but also does not pave the way for the development of the subsequent plot. It seems that it does not show any characteristics of the protagonist, or is it said that Drew Barrymore's personality determines that she can only do this? Personally, I think this plot is a failure. I guess the director didn't think too much, and I don't need to try to figure it out.
It was a temporary success; the work was recognized, and new problems arose. The popular star wanted to transform it into a sexy style, even if it didn't fit the song itself. Giving up on being changed meant losing this close opportunity, and Hugh wasn't willing to risk it. This section is the climax of the film, where they struggle between reality and ideals, giving up and persevering. Drew Barrymore criticized Hugh for having long forgotten his musical dreams. In order to cater to commercial tastes, he gave himself up. No wonder the records could not be sold. Hugh hits Drew Barrymore hard, and all the weaknesses in the novel's archetype are fake, no doubt destroying Drew Barrymore's newly restored confidence. The temporary partnership's partnership fell apart. In addition to regret, Hugh reflected on himself and returned to the place where he persisted in his heart, not only in his career but also in his love. In all fairness, this part is quite touching.
The finale is always perfect in Hollywood. Drew Barrymore completed the final paragraph, Hugh created the touching "Don't Write Me Off," persuaded the popular star to give up the commercial style, and returned the original face of "Way Back Into Love." Precious performance time, complete with Hugh's affectionate interpretation. It's not easy:) The ending is too traditional, and the development is too sudden and a little abrupt, which I believe is the source of criticism. I know that this kind of light comedy will never be carefully produced, so it can only be like this. I can't ask for anything more from the director. I have limited time. How can I explain it one by one?
I like the middle part of the film; the inner struggle of the two, the difficult breakthrough, and the exchange of wisdom, which is very infectious. The director is great at handling the details. Hugh's desperation when taking a break from a performance; his impatience with a mad teacher-level fan; his frustration with a tone-deaf doorman singing an original song; Drew Barrymore's approval and encouragement for his performance; and the self-proclaimed The frustrations of the extraordinary lyricist were handled finely. The agent, who is also a bit cold and humorous, and the funny sister are quite interesting.
I'd rather change "Way Back Into Love" to "Way Back To the Heart". What do you insist on in your heart? Are you insisting?
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