It's a journey, an anonymous letter begins Bill Murray's journey back to visit an old lover.
Maybe Bill Murray was beautiful when he was young, or he may still be charming now (or why do young girls like Lolita use that? Looking at him, it seems that American aesthetics *_*), but when he was old, he recalled that the women who had accompanied him were beautiful, smart, bold, and careful. . . They all have their own lives, happy, decadent, busy, and wandering. Bill Murray intrudes into the lives of these women with an expressionless and complex expression. Embarrassing, funny, and sweet, of course, all of these are bittersweet for him.
The theme of the whole film is about 88:35. Bill Murray returned home with a face full of scars, exhausted physically and mentally, and saw the broken pink bouquet with a decadent look on his face. TV shows that have nothing to do with cartoons. Empty to the left and right, Bill turned off the TV in a lonely way, as well as a return visit to the sour memories.
Don't believe in life-long, single-minded infatuation, that's immature show-off. How can people be mature and sophisticated without experiencing ups and downs? Bill's last choice is to give up, maybe it's not Jarmusch, maybe if you insist you won't say "Oh, it's Jarmusch!"
And there's Billy Bob Taunton, he's a pure Huobao, in addition to writing excellent scripts and exporting excellent films, he often shows his face in Jarmusch's movies, and Jarmusch always gives Bob enough face, which is really interesting
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