An action film with the language of a drama film

Karina 2022-04-22 07:01:31

After watching Ang Lee's "Gemini Man", I personally feel that the novelty of the film does not lie in the visual effects technology, but the groundbreaking grafting of the lens language of the drama film into the action film.

Ang Lee makes extensive use of the usual facial close-ups in feature films, and even unconventionally uses telephoto close-up shots in action shots, while relatively slowing down the editing rhythm.

Let’s talk about facial close-up first. Its advantage is that it can describe the psychological activities of characters more delicately, while its disadvantage is that it completely ignores body language and the environment.

For action movie fans who seek sensory stimulation, they have no interest in observing the psychological activities of characters. Only the parts above the neck are shaking on the screen, which will only make you drowsy.

In addition, close-up and panning, although the audience can experience the chasing and fighting process, but when used in 3D, it will make people feel motion sickness. "Transformers 3" is a warning.

Therefore, since the audience for the drama is not the same as the audience for the action film, this innovation will certainly not be a commercial success.

But I still admire Ang Lee, after all we need to see something new.

As for the plot, the film points out two paths for the development of human cloning technology. One is to create human flesh tools that eliminate emotions and pain, and the other is to retain the human nature of cloned people and turn them into life continuations similar to their own descendants. However, Ang Lee doesn't seem to want to be a wall-riding faction - after the fight in the pile of skeletons, the focus of the camera did not shift to the protagonist and his clone, but unconventionally stayed on the skeleton head, it seems, he is more inclined to Cloning is associated with destruction.

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Extended Reading
  • Ofelia 2022-03-28 09:01:03

    The best killers don't need to be meticulous, cautious and tenacious, but they don't have to suffer from insomnia and don't have trouble falling asleep because of their thoughts. The moment that really feels good is not the moment when you lie on your stomach and pull the trigger, but the moment when you become a son and a father calmly. Holding a gun and saying to the clone, I think you are still a virgin, always afraid that others will find out the real you, but in fact, every word is talking about yourself. You are obviously the best killer, yet have the worst life.

  • Darron 2022-03-26 09:01:06

    There are two expensive paintings on the walls of the villain's office, Bacon's Triptych of the Passion directly behind the desk, and Twombly's untitled chalkboard beside the door. Henry's body is like a work of art of the previous generation, while Junior is a replica born in the era of mechanical reproduction. Has he lost his aura? The setting of several plots and actions is as if the replica deliberately uses the face to perform the "real" (the dummy defeated the fake lion in this round), but uses the limbs to approach the "fake" infinitely, which to a certain extent shows the audience's interest in literary and martial arts. different expectations. Very bright, the more "true" the brighter the more "false", the definition of "movie reality" needs to be revised. In the past few years, my eyes seem to have been trained and upgraded. When I watched "Billy" in the back row, I would be dizzy because of the smoothness and dense details of the panning. Now I like to let the water and sparks wash my senses in the front row. As the media develops, the audience also evolves into a new human being. Maybe this story will be more psychologically thrilling when shot from Junior's point of view, allowing the audience to identify with the "fake" visually and psychologically, and when the "true" appears, the "true" turns into an uncanny instead.

Gemini Man quotes

  • Henry Brogan: [to Lassiter] Keep it up. You'll be the first person I ever killed for free.

  • Clay Verris: Don't you think your country deserves a perfect version of you?

    Henry Brogan: There is no perfect version of me. Or him. Or anybody.