As for the content, I don't need to say more, because this kind of plot of a kung fu master versus a Western boxer started with Huang Feihong (it should be, if I'm wrong, please remind me of my friends), it's no longer new, even watching I am quite aesthetically fatigued. However, because of Sammo Hung's death in battle, when Ip Man defeated the tornado at the end, the audience's emotions were suddenly lifted, and there was thunderous applause in the cinema.
Facts have proved that the national complex of the Chinese people is still quite heavy... After the
impression is finished, it is time to complain. There is a saying that I have endured for a long time, and now I can finally shout it out, that is:
Can Xiong Dailin's acting skills be any worse? ! ! ! ! ! ! ! ! !
Originally, 1 was dull to a certain level, but in 2, there was no progress at all. No matter what lines were spoken, the tone was always the same, with a rigid body and a perpetually frowning expression. If Guo Tianwang had nothing to do with it, he would be killed. I wouldn't believe it either.
The most maddening thing is Xiong Dailin's eyes. As a wife, she doesn't even have the most basic love for her husband, let alone care, anxiety and worry, which are more difficult for her to perform. As a mother, there is no maternal love in her eyes when she looks at Ah Zhun. Although people who have never been mothers can't understand the feeling of having children, there is something called "experience" in the world, and there is something called "experience". Acting", of course, it may be difficult for Miss Xiong to understand both.
There are many models in the history of film, but very few of them have been successful. Maybe it has something to do with Reiki. As a model, Lin Zhiling's performance in "Three Kingdoms" cannot be described as wonderful, but at least it is qualified. Compared with Xiong Dailin, it is a few grades higher. Not to mention the more powerful ones such as Kim Basinger.
Finished talking harshly. Finally add a sentence: Huang Xiaoming is really here 2.
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