The pinnacle of the perfect fusion of dream and reality! The dream at the beginning leads to the theme of the film. The dilapidated and desolate streets imply Isaac's anxious and helpless mental situation. The clock without hands implies that Isaac has run out of time. After the deceased self fell down, death finally came as promised, stopped abruptly under the road sign of time, the man in the coffin fell out, but came back to life and grabbed Isaac like a life-saving straw, and the yin and yang gradually merged... It is a journey of self-redemption interspersed with dreams and reality. Bergman's grief for the lack of fatherly love reappears in the film from time to time. Childhood is the root of a person's life, and Isaac falls into scrutiny and judgment from a demeaning perspective of his own life. In love, he is cowardly. He clearly has a private life with his lover, but is easily deprived by his younger brother. The resentment of losing his love is reflected in his subsequent marriage. "People forget a woman who has been dead for more than 30 years." , he re-examined his marriage with such an evaluation, but found that his wife had already died at the hands of his own doctor, a perfect "surgery" without any flaws. The advanced female perspective in the movie now seems to be It is also worth savoring. Combining the indifference of the mother and the irresponsibility under the cover of the son's so-called "living to the death", the indifference has unfortunately become a family heritage, and the judge wrote a "ruthless" conclusion in his trial book. People are about to die, but they are unforgettable about the mistakes they have made, leading to a huge doubt about their own abilities, and the judge wrote "incompetence". It’s just that human suffering is not endless, and suffering is also a fan of happiness, but the proportion of each person is different, so nostalgia and a trace of beautiful vision still emerge from time to time like a swaying but inextinguishable light in the wind and rain, guiding us to still be able to. Find the lake where you fish with your parents. In Bergman's hands, we have gained the indirect experience of what people see and get before the end. In the hands of fate, even if we know the answer, we still write hard and write down the wrong answer, and in the end we still cannot escape our own approval. From this point of view, the two young people’s arguments about God in the film are not without answers. Isn’t man’s judgment, redemption, tolerance and forgiveness, facing up and letting go of himself before his death exactly what God has done? Man's "divine nature" is freed from it, isn't it his own God? It is hard to imagine that art was at its peak when he appeared, but it is reasonable. We can always find the answer that can explain everything now from the most distant truth. In the final analysis, the source of human pain and beauty has never changed, no People are special.
View more about Wild Strawberries reviews
