I originally wanted to analyze such a master's work in the same way as before, but when I saw the young Sarah said to the old Asaq: "The person I really love is you, today, tomorrow, forever. ." He dismissed the idea.
All the dreams created by Bergman are traceable. It is mixed with Asaq's fear of death, childhood memories, lover's memories and the repentance of relatives (including his wife), all his helplessness. It was endlessly magnified by the dream, thus burying the aftertaste of his love and dreams.
At the same time, I was pleasantly surprised that in this Bergman film, I saw the throbbing teenage agility, which merged with the teenage Sarah, like a lively fawn, which is It can only be seen in the movies of that era!
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