Wild Strawberries is a 1957 work by Ingmar Bergman. The whole dream. I thought that the 50-year-old Xiaoluotou in "The Judge" must be old enough to pursue his father, but Ken Takakura was still begging for his mother's affirmation before he died, and Takeshi Kitano was also sympathetic. Love can be humiliated in the face of time, family love is too difficult, either life or death, either love or hate. Human beings are a creature in the vast universe, reproduction is the top priority, love is a play before reproduction, and family affection is the finished product of reproduction. Teacher Cauliflower said: Many filmmakers’ childhoods were related to their grandparents, and their parents faded in and out. Many unhappy children are crippled products of kinship, such as Ingmar Bergman. How lonely he must be to make a movie like Wild Strawberry. The protagonist of "Wild Strawberry" is an old man in his 80s. His last dream is the young parents by the lake in the sun. Since they are parents, it means that he has let go. Bergman is rarely warm again. In the whole movie, the most famous dream is the coffin in the deserted street, which I understand too well. I once dreamed of a coffin. I was about five or six years old. I will never forget this dream in my life. Bergman used two horses to drag the coffin, the character himself in the coffin; in my dream there were several men carrying a coffin, busy burying one of my living relatives. This scene, my intuition comes from the director's childhood experiences, such as waking up from a nap, the sun is dazzling, the time is barren, as if missing something prosperity, more like prosperity never came, without any greetings, little heart soaked in In the desolate and dazzling sunlight. What you owe in childhood will be turned over in adulthood. Bergman is brushing off childhood debts, the thorn must be pulled out to be comfortable, and it will be addicting. Such similar expressions appear repeatedly in several of his films, with different content and exactly the same feelings. Sometimes I feel that Bergman is not a Nordic person, but a left-behind child in mainland China. Although he is brilliant, his heart is dead. It is not impossible to come back to life, but he must go through the pain of skinning and eviscerating.
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