Indifference, love and being loved, objective self-evaluation, subjective self-exploration, inheritance.
self. Isaac successfully begins to evaluate himself in the film, to understand what it is like to express himself. As the plot develops, gradually, gradually, I begin to explore myself and discover what I really want. On the way, I also led the girl who hesitated in choosing a mate, sneered at each other, got tired of the couple who took action, met the old and indifferent mother indifferently, and talked with her daughter-in-law. Indifference and ruthlessness should not be inherited. Even at the age of seventy-eight, it is never too late to change.
Love. Love begins to express to others, and being loved is the pursuit of the last dream, and it is also the final and beautiful result. Generation after generation, the previous generation destroys the descendants, and it is passed down from generation to generation? Stopping, not giving birth is just escaping (unless there are other special reasons), trying everything to eliminate the dross left by the previous generation. Understanding and tolerance, good at expressing oneself, showing love, can be loved, and can interrupt this seemingly endless garbage fate.
Interpretation of dreams. The confusion of the first dream - the face is blurred and distorted, the eyes are bleeding and there is no pointer, the unwheeled carriage fell out of the coffin, and out of curiosity, he probed forward, and was caught by the coffin's own hand, trying to break free but in vain. Isaac has lost control of time and is old and frail. It will be difficult to change again. The distorted face and the bleeding eyes symbolize the inability to recognize and explore oneself. The self in the water and the coffin, the unmanned carriage, and the punishment in the second dream, all of which I personally understand is Isaac's fear of his own loneliness and his own indifference.
dream reality. In the first dream, not only the dream of where it started, but also the inexplicable road, the figure suddenly appearing on the road, the driverless carriage, the carriage that keeps moving forward even if it hits the street light; plus the second dream The sudden turn of the scene, the dream itself seems to have a reasonable explanation for the unreasonable behavior that is going on - the display of the dream consciousness is accurate. If something suddenly appeared in the empty hand, it would be too dreamy. There are always some things in dreams that reality can't find the corresponding point. Its main responsibility is chaos to the end. There is no need to think deeply about what some chaos represents and what it means.
Where "Wild Strawberry" and "Eight and a Half" are more dreamy than "Mulholland Drive", the feeling is the shortness of the dream, or the shortness of the memory. However, the long-term dream in "Mulholland Drive" seems to be able to think from another angle.
Why learn about Bergman? Is the video too egoistic? Um? It seems that if you don't understand it, the story and the connotation of this movie can still be seen clearly. All the necessary backgrounds to help understand the characters' psychology have been explained in advance in the movie. The evaluation of this "too self" is that I don't like this movie, I don't like it if I don't like it, so why make excuses. Seemingly justifiable and unreasonable reasons can always make people feel at ease about being dishonest about certain things that they can't handle.
It is not difficult to understand the plot, and it is not very simple to understand the meaning, a superficial view. At that time, the gods were everywhere, and they are still burly successors.
View more about Wild Strawberries reviews
