Overall, the show is still good. There are foreshadowings, reversals, and inside stories, and the camera language is very good.
But at the same time, there is also the screenwriter's own taste, which is politically correct. And it's not the kind of community with a shared future for mankind, it's American-style political correctness.
The various breaking points in the later period all show the idea of the screenwriters wanting to make big news. However, as viewers who have seen the original comics and movie versions, their portrayal of the original characters really began to collapse in the last two or three episodes. Of course, first of all, we have to rule out the best pharaoh. Although he is old and IQ is declining, at least the character is still there, except that he is knocked out with a stick, which means he is old.
The key character of Watchmen, Dr. Manhattan, has become the biggest firework in the plot bursts written by the screenwriter. He became an infatuated man, turned himself into a black man, and wanted to live with the heroine forever. In the original comic book, the two partners, especially the first wife, expressed envy, jealousy and hatred. Then he was kicked out by the screenwriter from the quantum god who was thinking in high latitude, and kicked into the ranks of physical mutation.
It was really to make the doctor die. The screenwriter tried desperately to weaken him. Later, when he found that the setting was invincible, he simply didn't want to. Adding a weakness to him directly felt like giving up.
After this filter is over, many problems and blunt advancement are self-evident.
Personally, if there is no last Manhattan, it might be better to write about the struggle between the Hooded Inquisitors and the Cyclops, and add some original things and characters at the same time.
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