Although I haven't studied it, I can still feel the tension between the lens and the set. The distant view is like a tripod fixed coldly, and the close-up view, especially the life scene, will shake like a handheld DV.
There is no soundtrack, just the background sound of the TV or the music played by the mobile phone. The children's play takes up a lot of space, and the transition of the plot is very similar to the memory of the night: I remember the most exciting and worry-free time of the day and a series of exciting points, and I sleep for the next day. Like a documentary, life is like a movie, with a film lens. So it made me feel like I was not reading a novel, but experiencing a kind of other people's life.
The themes of fart people in big cities are generally very everyday and realistic, but the colors and architecture of Florida Paradise have the feeling of the Grand Budapest Hotel. This is a very novel point. The dark plot inside is very obscure, it's like a child's point of view. So I ignore the drama of conflict in a lot of movies, who doesn't have conflict in their life. If the mess up everything in Shameless is to pave the way for the tears in Fiona's eyes in the next moment, the Florida project was born because of the stress in life.
By the way, I want to complain, although many people are infected by the heroine, her plot is to fuck and get along with the little girl! But it's really natural.
It is a pity that the overlapping of the perspective of bystanders and the details of life, coupled with the loser characteristics of the characters themselves, it is too far from becoming a classic
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