Part 46: Big Eyes Big Eyes
likes the neurotic pair of "big eyes", as if opening the eyes wide can see the world through and find a place of mutual understanding. Like those lonely, mysterious and fragile artists, their eyes always show panic, confusion and vigilance. Delicate and sentimental is the soul of the artist, but it can only be conveyed through the eyes full of content. Those emotions that transcend language will eventually be transformed into works of art and passed on in their own unique ways.
Looking at the creator Margaret through the "big eyes", she is a typical artist, who is not good at words but has the heart of "forbearance". How does she sell her works like this? Her "big eyes" were all the rage due to her second husband, Walter. Regardless of the crime of tort and deception, Margaret and Walter have indeed fulfilled their common dream in complementing their personalities.
After watching, Te wanted to avenge Walter, the crime was directed at him, but Margaret got rid of all the crimes and won the sympathy of almost all the audience as a weak person. I want to ask, isn’t deception an act of acquiescence between two people? If there is no good-speaking Walter "big eyes", will he go to the best-selling road? Can it be said that Margaret's so-called forbearance is also suspected of use... After all, there is no absolute thing, and the answer is that both in-laws and mother-in-law have their own reasons. As bystanders, both people must be grateful.
Tim Bolton's "Big Eyes" seems to be justified. These exaggerated works have a strong Gothic style, which suits the taste of Uncle Bo. It's just that Christopher Walz is cunning enough, but Amy Adams stuffed wildness in it, giving people the feeling that they might expose their nature at any time. Sister Lei's voice is still atmospheric and ethereal, her music puts a gorgeous coat on the whole film, and Gatsby's picture floats into her mind with her voice. In short, with these powerful supports, the film itself is still good to "watch".
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