I can't breathe

Lacey 2022-04-20 09:01:42

It is rare to be influenced by social topics, but a lot of things are still influenced. For example, after the pneumonia, many students who were filming overseas did not work so well, so there has been a shortage of new film sources recently. The reason for choosing to drive for Miss Daisy is indeed the same. There are no new movies to watch, and I can't breathe can't be said to be the text of the Green Book. Compared with the Green Book, which wants to express more, driving for Miss Daisy is more important. Small items. Construct a novel set of character relationships in traditional grammar. Later, it was learned by Koreans and swept across Asia. After all, it is a movie from 1989. The structure is extremely rigorous. The time nodes in the script can be accurate to the second. As for the composition, color use and even the soundtrack, it is also a textbook-like model. It is not necessarily in line with modern aesthetics. After all, the aesthetics of color blocks are outdated. Some colors in the film are carefully matched with textual meanings. There is room to appreciate them in the traditional rhythm. Now they can only pass by. In the era when Da Vinci was too embarrassed to brag, it paid more attention to the overall tone and the sharpness of some small details. As for why these colors are, the only explanation is that the director thinks it looks good. I feel that in the 1980s, the whole world was not so impetuous. The relationship between characters driving for Miss Daisy was indeed a surprise, but it did not deliberately magnify the conflict between these characters, let alone the sky. At least there are rules and regulations, small test in the frame, and reconciliation immediately after getting out of the circle. Unlike now, all kinds of extremes. Seemingly breaking the rules, but falling into a brainless frenzy of strong slogans. Just like 100 years ago. It is useful to be able to color the whole, and it is useful to increase the contrast locally. No-brainer formalism can finally get close to 24 frames of truth per second. It’s better to slow down and savor the meaning of the text.

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Extended Reading
  • Meta 2021-12-08 08:01:50

    The script has tension and emotion, how can we not be moved? Racial discrimination is the selling point. It is rare for a Jewish old woman and a black man to ride in the same car, let alone under the same roof, and friendship has grown over time. Another type of mutual support is to discover each other's good points, tolerate shortcomings, and exaggerate strengths. After all, at some point in life, it is difficult to find someone who is chatting, chatting, and talking.

  • Kimberly 2022-04-23 07:02:07

    I like Morgan Freeman, so I was looking for this movie at that time, Freeman's performance is always reassuring, his face looks very comfortable

Driving Miss Daisy quotes

  • Boolie Werthan: Hoke, I want you to understand something. Now, you'd be working for me. She

    [referring to Daisy]

    Boolie Werthan: can say anything she likes, but she can't fire you. You understand?

    Hoke Colburn: Yes, sir. Yes, sir, I sure do. And, don't you worry about a thing, Mr. Werthan! I'm gonna hold on no matter how she run me. You see, I used to rassle hogs down yonder in Macon, and, let me tell you, ain't no hog got away from me yet!

  • Daisy Werthan: [Talking about Idella's passing] Idella was lucky.

    Hoke Colburn: Yes'm. I expect she was.