I thought it must be an old-fashioned topic: a love-hate relationship between a handsome and handsome muscular bodyguard and a charming female foreign minister. There's certainly no shortage of sensuality among them, from aggressiveness to cuddling, and whether one is life-or-death, the other will avenge it or elevate the tragedy. . .
Underestimate the screenwriter's very delicate speculation on this cliché story between two people. The most common scenes in the film are male David dressed in a black suit, white shirt, with a headset, alertly paying attention to the surrounding environment, first exiting from the co-pilot, opening the door for Julia in the back, and escorting her to the office area or home. . There is not much dialogue, and there is no need for too many expressions. David's monotonous, repetitive movements and steps are accompanied by monotonous background music. Yes, this is the job of a bodyguard. If there are no accidents, it will be boring and even boring. . . .
The first memorable scene was David making a clearance for Juila. Imagine a burly and handsome boy, under the eyes of others, without hesitation, he took off his white shirt and handed it to the heroine who was splashed with coffee and was about to record the show. The one just changed that morning. A clean shirt should still carry his residual body temperature and exude untouchable hormones. The appropriate chest-to-waist ratio is because of the body armor. It is also very suitable to turn around and wear it on the heroine. In the scene where the two are facing away from finishing their clothes, David is still expressionless and focused, but Juila is full of gratitude in embarrassment. Yes, he couldn't see the schadenfreude of the female assistant and the stupid whiteness of the male assistant, only he quickly relieved the female lead. . . This should be the first personal contact between the male and female protagonists. When you see the male protagonist in a shirt again, the hormones in people's brains will also soar. . .
The second time to save the heroine was when the ex-husband provoked Juila in public. David felt that Juila wanted to end as soon as possible and tried to move Juila indoors twice. The ex-husband even compared David to the annoying "Monkey". The witty David's words "I'm mixed-race" frightened the ex-husband. The heroine turned to look at each other and smiled, responding to David so quickly and simply, but with a strong deterrent, full of gratitude and praise.
Then, the two can sit down and have a takeaway face to face. The fries are simple, but they are eaten with relish, and then keep the male protagonist for a cup of tea. . . In the lonely night in the middle of the night, you can feel that the lonely souls of the two need each other's comfort. A strong woman who is busy with work above ten thousand people, and a handsome male bodyguard under one person, part of his job can be to safely boil a pot of water and make a cup of tea for her. . .
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