The heroine Margaret is a female painter who likes to create quietly. There is no doubt that this kind of personality fits well. Later, she took her daughter (the prototype of the character in the painting) and met Keane, a man with a glib tongue that would "touch" people's hearts (I personally think that the word "flicker" is no better than the male protagonist). K touched M with his three-inch tongue of incompetence. This may be related to the identity of the daughter with the divorce alone, making M more likely to be moved by this exaggerated confession. Maybe it’s prejudice. Most of the time I meet a man like K, he can do the same thing to beautiful girls like A, C, F, etc., but M is serious, just like her attitude towards art..
Afterwards What happened seemed to be a logical matter. K kept trying his best to sell the paintings. He saw all kinds of people but seemed to be more interested in M's "big eyes". Then one day, his grandiose sales started to bear fruit. Holding a large handful of dollar bills (it is estimated to be worth tens of thousands of RMB), sprinkled it on M. M, who was dazzled by the victory, was also excited about the ill-gotten wealth. Things must be reversed, and there will always be a little sadness after ecstasy. M discovered the truth when he went to the bar to send pictures to K: K has been selling in his own name, telling everyone that big eyes are his own creation. At this time, the rogue Han K, who didn't know anything about art, became the focus of everyone. He didn't understand art, and he himself had nothing to do with art. But he can fool, he even fools everyone to believe that big eyes are his creation. He made up stories on TV programs to the point that everyone shed tears, flirted with the girl in front of M in the art exhibition, and then attended various activities with great success. But M, can only create in the dark studio all day long, and hide from her daughter to prevent her from discovering the truth. Seeing this in the film, I really hate K to the extreme, and at the same time I am not angry about M's weakness.
However, things will have a turning point after all, and paper can't keep the fire. After the controversy with Big Eyes, K began to "humble nature", swearing in public, and then going home to "violent" the mother and daughter of M. All kinds of hooligan behaviors make people realize that this is the real him. The out-and-out hooligan who wants to fool people!
In the scene where M drives her daughter angrily away again (the vision reappears, but the daughter grows up and M is much older), she is awakened again by "unreliable" feelings. People who understand art have multiple emotions, and only if they are too emotional can they be completely hurt by the emotions. M, who intends to "start over" again, takes her daughter to find a new place to live, and life is restored to sunshine. However, the demon K is still harassing her and asking her for paintings. As long as the two do not divorce for a day, M's right to speak and paint still belongs to K, and of course, Big Eyes still belongs to the two. M is like a moth. She fights the fire hard without hitting the south wall. She finally awakened when she hit the south wall and was wounded all over her body. Of course, the court scene was staged in the movie as a matter of course.
In court, K is like a joke, talking and acting, asking and answering questions. Obviously, the public's balance is now biased towards M. In the end, the judge decided to let the two paint on the spot. K, who never paints, can no longer make up a story this time...
In fact, the biggest charm of the film lies in its true narrative, which does not require much visual expression skills. The key to the subject matter that is attractive enough for the story itself is how you perform it. "Big Eyes" cannot be as exciting as the same type of narrative movies like "Imitation Game" and "The Theory of Everything" because of its event itself, but I think the emotional resonance caused by this event itself is also sufficient to have similar or similar emotional life experiences We are excited enough...
the passive side of the relationship will feel "captured" and disrespected like M. Maybe it's not so extreme but it also feels "déjà vu". Of course, losing oneself is a body shape, telling us that it's always time to change, big or small change is good. If your significant other gives you such a sense of oppression and disrespect, then you should consider whether it is true love or whether the two are really suitable, and whether you should continue to compromise in this unbalanced relationship...
Finally, the film also tells us: It is gold that always shines, no matter if you change the form of expression or other, don't be afraid and don't give up, as long as you are brave enough!
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