In other words, the director wants to express from the perspective of the heroine. It can be said that in the past, everything is just the illusion of the heroine, but some shots are from the perspective of a third party to show the perverted killer and the heroine coexist.
1. At the beginning of the film, the pervert used a head to
masturbate and discarded the head randomly on the path. 2. After Alex's father heard the doorbell open, he said "Who are you? What do you want to do?", if yes As for the hostess, it should be Mary, what are you doing.
3. When a perverted hand gun was chasing and killing the little boy, ALEX obviously heard the sound and looked at the heroine desperately at the same time.
4. When the heroine took a knife to attack the perverted killer, she was locked in the car while someone was driving, but the performance of ALEX was obviously that she could see the heroine.
5. There are many photos of the victim in the car of the perverted killer.
6. At the gas station, the clerk saw the hostess and the perverted killer at the same time, not to mention that the camera clearly captured the perverted killer.
The direction in the back is actually pretty good, but because there are more BUGs in the front, it is inevitable that the director is playing mystery.
PS. Speaking of fine points, I think of fight clubs
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