Following the old boy's audio-visual language, Park Chan-wook played "montage" in this film. The core of the film's montage lies in "hiding" the core information of the final paragraph of each scene and showing it at the end, earning the audience's bullshit. The story, as always, retains Park Zanyu's hobbies of "subverting the three views of love" and "suspenseful indulgence", although the story does not have the stamina of the revenge trilogy, nor does it have the fantasy sense of the "bat" Western identity told in the East. It can only be regarded as a law-abiding one to scribble the problem of bloodline to solve the problem. The heroine's exploration of microscopic things has not been shown too much. But the audition language and montage of this film made this film too high.
Uncle first appears, and the visual relationship between hunter and prey switches back and forth. Teenage grief turns into orgasm. The position of the two people at the beginning and the position at the end of the stairs. Almost every audio-visual language of the "feet" of playing the piano is hidden to the extreme.
In the costume, the heroine changes from all white, gradually dark, to black and medium red at the end. The strong vision makes the audience feel the transformation of the characters. Uncle's almost forever dark color also indicates that the female lead is gradually moving towards the color hint of the male lead
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