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Absentee
Jeffery 2022-10-07 21:01:55
After reading several Coen brothers, I did not expect this one to be so moving. It even used Beethoven's piano as the soundtrack, and Scarlett's row of explosions was buried well. The pathetic and peaceful self-report is far more noble than Jiang Wenma's narcissistic banter, and he has a solid rhetoric. The contrast between the background and the background in the black and white image, the choice of the barber profession is as brilliant as the setting of the pregnant woman in Frozen, I suddenly thought that this film has many similarities with Keown's white, and at the same time I believe that Cohen is native, this film It can only take root in the soil of the United States, and it is just an accidental encounter with the masters of Europe. The woman next to her shouted out Doris's voice, just like the car that passed by that night, the front and rear symmetry, the details. Uncle Thornton's acting is really good, every inch of skin is a play. In contrast, Joel's wife's rigid and rigid acting characteristics have finally been fully exposed, which was covered in the ice and blood storm, but in fact it is from the blood The labyrinth has always existed, or Cohen's video style has restrained Frances' development to a certain extent. The rain in the middle of the film is really moving. Some kind of escape. Some kind of peace. Everyone is imperfect and everyone is guilty, does that include Frank the other hairdresser? The face in the dark when reporting the pregnancy plus the last puff of smoke, relieved, completely relieved. Knowing the date that you're going to die, that's how people end up being executed for a crime that doesn't belong to them, and the real sin is always hidden in the heart and carried on the body. While Crane walked out of the labyrinth, the Coen brothers finally got out of their blood labyrinth and ushered in a new world. Looking forward to watching it again. Those friends who are racking their brains to analyze and dig a step away, take the time to see the real rich deposits.
Extended Reading
The Man Who Wasn't There quotes
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Costanza: He's a barber right? It's a good trade. So why you got no kids, huh?
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Ed Crane: Life has dealt me some bum cards. Or maybe I just haven't played 'em right, I don't know.