After reading a book or a movie, it is as if you have eaten fresh food, and you always have to evaluate it, and "Baahubali" is no exception. When the ending song of the movie played, I said to the movie recommender: "This movie is exciting, but it doesn't make much sense." The recommender raised his head and said, "Oh? ". I replied: "I don't have much to say. It's just the story of the struggle of the prince of the royal family. The common people are just watching it. Is there anything else to learn and be influenced by? It's just that there is no heart for resonance." Recommended The person's nodding was beyond my expectations, because he has always refuted even the slightest remarks I made, which is quite a discourse hegemony.
Encouraged by some of his "non-refutation", I added: "This is exactly the same as that "The Count of Monte Cristo", the trick played by the upper class." The recommender can probably admit his own inferiority. He even said the rare words "yes". "Baahubali" is like a cloud gradually dissipating in our comments. However, as soon as he sleeps at night and closes his eyes, Baahubali's handsome and healthy figure will come to mind, the beauty and tenacity of his princess are also wonderful, and the love and wisdom of his mother is even more warm and admirable... ...In order not to fall asleep on these people's pillows and not write anything, it seems that the disturbing dreams of these people can't be stopped.
Baahubali has the character of "the enlightened one helps more". As for this "Tao", it may be possible to summarize what I have seen and talk about it as a boring pastime. Kindness: "In the beginning of man, nature is inherently good." I don't think anyone can give an example to refute that "in the beginning of man, nature is inherently evil." When a toddler encounters a toad, he instinctively frowns, opens his eyes, shrinks his feet, or hides behind his mother's legs. Even bending over to pick up bricks, but I have never seen such a child, his will be glaring, bending over to pick up bricks is learned from elsewhere. The "evil" of Baahubali's cousin Bala gradually came from his father, and he gradually lost his "Tao".
Trustworthy: An ordinary person may not think about "trustworthiness" very much. Baahubali lost the throne for "keeping his word". His mother gave two choices: either marry Devashina or ascend to the throne. Because he fell in love with Devashina, and even promised others a marriage in advance, he gave up the throne to his cousin Bara. Although Bara was a noble king, he regarded "trustworthiness" as dung, and even lost a layer of "dao". Wisdom and bravery: Baahubali brave is to rush wherever there is danger, for the safety of a country, or for the life of a slave. He has the physique of Xiang Yu's "strengthening the mountains and making the world unparalleled", but he is not as reckless as a goose, and he is quite a wise man's plan. Bara's force is not inferior to Baahubali, but his wisdom and courage are used for "evil" deeds, such as murdering Baahubali.
Although the movie is shocking, the fly in the ointment is that the good guys are too good and the bad guys are too bad. Mr. Lao She said it well: good people sometimes become bad, and bad people sometimes become better. However, this is an exaggerated method to express the expectations of the people for the good character of the king, and it is unknown. If the prince and the crown prince also watched the movie, how would this movie feel? Baahubali's mother, Shiva Gami, was indeed a woman who was under the curtain like the Empress Dowager Cixi, and she was more resourceful than the men of the royal family. "Shiva" is often mentioned in movies, which is the spiritual support of ordinary people. The more suffering the place is, the busier the gods and Buddhas are. The nobles don't seem to have anything to pray or ask for help, but they also have patron saints, probably to protect their status, wealth, and power.
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