The reason I like Almodovar is because of the strong colors in all his films, and his attitude is really unacceptable. So it's just a visual aspect of the film. The bright and unrestrained orange-red, the rich dark green, the moist dark black, and the golden color of the textured skin, these colors have become a kind of wild and free temperament in him, and the melancholy under the mania can be experienced carefully. Different. Sunlight or darkness is a color feast for a powerful man, abandoning the flashy, delicate and sentimental color feast. Some are like Van Gogh, which is thrilling and really enjoyable.
Attachment: The colors of Wong Kar Wai's films can't get rid of the femininity, and the tenderness in Du Kefeng's bones is fully revealed. Zhang Yimou's color is divorced from northern Shaanxi, and he brings an attitude of entertaining and pleasing, empty and annoying. Mira Nair's color has always been very Indian, red is Indian red, green is Indian green, and her natural erotic taste is very pleasing to women. Iwai Junji's color will bring metal elements, like an unruly young man, sharp enough to cut through the skin.
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