Ang Lee's Sense and Sensibility

Nathaniel 2022-04-23 07:02:09

It's very strange that I don't think the Ang Lee version of '95 is as good as the BBC version.

Comparing the two versions, you can clearly feel the different styles of different directors. Such as the grasp of the severity of the plot, the restoration of the scene and so on.

In terms of plot handling in Ang Lee's version, the emotional scenes are not so exciting, while Edward and Lucy's engagement, Brandon helping Edward get a job, and Lucy's love for Edward's younger brother are explained in more detail. Several manors such as Nolan Manor, as well as the new farmhouse and other scenes are also much inferior to the BBC version. In terms of color, the latter is brighter and more delicate, while the former is a bit dim; the dining and dance scenes are gorgeous in the BBC version. It's thicker, while the Ang Lee version is slightly dull.

In terms of actor selection, the talented actress Emma Thompson, the protagonist and screenwriter, played a 19-year-old girl at the age of 35. She always has an old look that cannot be hidden. I just can't stand it. Kate Winslet is easily reminiscent of the goodness of "Titanic", but she is really fat. Brandon is easily reminiscent of Professor Snape in "Harry Potter". As for Edward, he is really not as handsome as his big cousin Dan Stevens.

In terms of emotional processing, the understanding and expression of "rationality" are also very different. The oriental forbearance in Ang Lee's version is more manifested in Eleanor's consideration of the other party's agreement, even at the expense of her own emotions. I still rationally hope that the man will not live up to the initial engagement, which is more mellow than the BBC. As for the "emotional" aspect, I think the BBC version is stronger and more direct.

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Extended Reading

Sense and Sensibility quotes

  • Elinor Dashwood: Marianne, please try... I... I cannot... I cannot do without you. Oh, please, I... I-I have tried to bear everything else... I will try... Please, dearest, beloved Marianne, do not leave me alone.

  • Marianne: Colonel Brandon.

    [Though trying to slip out, he eases slowly back into the room, almost afraid to speak]

    Marianne: Thank you.

    [a fleeting look of mild gratitude crosses his face from these first sincerely kind words she's ever spoken to him]