When I watched the movie yesterday, I didn't feel anything after watching it, especially for such a happy ending, I went through the movie reviews again. To be honest, I really couldn't see that Emma was playing a 19-year-old girl. So I don't know what to write.
Working with Emma, because she is too smart and a screenwriter, sometimes she thinks more than I think, so some things don't need to be said directly, just a little bit. The most difficult thing about acting for Emma is that because she is too mature, an expression has four or five layers of meaning. Once she speaks, she can perform it immediately, clearly and in an orderly manner. A lot of very mature actors, like Meryl Streep et al. The good thing is that they can easily grasp the interpretation of complex scenes with many meanings stirred in them. But a simple, moving scene is difficult. Because of being able to navigate complexity, you are no longer so simple. ——"A Dream of a Movie in Ten Years of Sleep"
When I was having dinner with my colleagues in the cafeteria today, I thought of the last time she had an ebullient chat with a boy in the cafeteria. The first feeling at that time was wrong. Upholding the principle of caring for my colleagues, I asked about the situation, and sure enough! The boy came to her specially for dinner. At that time, I also complained, are you living so miserably now? Can we only meet at lunch? She said, yes, because the time of the two people is not right. So, I specifically asked about the progress. She said there was no follow-up.
"Love is separated by mountains and seas, but mountains and seas are not flat." This sentence expresses the regret of how many people can't love. Growing up for me is probably about losing a piece of innocence slowly, but I am unwilling, and I will always keep it silently in a corner. It has evolved into it, and I regard many beautiful stories as From the fairy tale, the prince and princess lived happily ever after, because he didn't understand how much trivial things were in the world, and every little bit could make people collapse. How can people not be embarrassed when things are like this? I really hope that the mountains and seas can be flat like the movie, and the years can be together.
Recently, I have also begun to reflect on the fact that the film represents a cultural phenomenon. For example, in the 19th century Britain, wealth was passed on to men and not women. It is interesting to reflect a cultural phenomenon through the microcosm of ordinary family life.
Looking back at the movie again, my sister's words really made me cry. How can this be considered love, if you change your mind, you change your mind.
This film is Ang Lee's fourth film. Emma, who plays her sister in the film, spent 4 years writing the script and eventually won the Oscar for Best Screenplay. The story behind it is also quite interesting. After Li arranged his father's trilogy, he wanted to get involved in Western movies, but he didn't expect this script to come first. This film has also brought a wealth of income to Ang Lee, which has changed from a hobby to something that can be done as a career. Similarly, in the face of various cultural and environmental conflicts, it has also given him a better career. Thinking and comprehension a lot, among them, I think the most exciting is this piece of thinking about the relationship between people and things. Before, I have always had this insight. I will think about how to be a good leader. I think, being good to subordinates and caring about the development of subordinates are two things. A person's harmony does not mean that he is truly good. The mutual achievement between the two parties is the core meaning of working together.
In fact, I don't care about these false pretences. I would rather they concentrate on their work and don't have to praise me on the surface. In contrast, I am more accustomed to the western way of working towards things and not people. The psychological burden is not so great, and I feel the most at ease when things are done well. Second, I am more efficient at work. What you respect is the director and the relationship between the director's position and his own position, rather than doing things by loyalty to the individual and each other's friendship. Chinese people are often used to being wrong to people, relying on their personal feelings for the director. In good times, they can do things that Westerners cannot. Therefore, the pressure on directors of Chinese-language films is very heavy. They have to manage everything with force, and everyone has to take care of them. Chinese-language films are difficult to make big, that's the reason. Because once personalized, it's small. Tolerance is great, and the scale of the situation is large, which requires system operation and management, and needs to be classified, communicated with each other, and then integrated.
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