An uncle selling insurance started a life saving story on his way home after being fired.

Melody 2022-11-29 11:00:10

The design at the beginning is quite interesting. It uses things that happen every day to describe the feeling of 10 years as a day. The editing of this section is also just right.

Sixty-year-old Uncle Liam is indeed an actor who does not disappoint. After watching the hurricane rescue, you know his murderousness and gentleness. In this commuter rescue, the 60-year-old man who has just lost his job and doesn't know how to face his wife and children is vividly played.

At the beginning, he was in a low mood, and he heard some inexplicable remarks, and then he really got a windfall, and he was overjoyed, but after receiving the ring that his wife wears every day, it was completely different. Especially when I saw the old man I met outside the window every day being pushed off the road because I wanted him to call the police, I saw Uncle Liam who was different from the hurricane rescue.

The fights that followed made Uncle Liam very distressed. The 60-year-old body is a little powerless compared to those young people who were abused. Every time I stumbled down the aisle after killing the opponent, I have to say that Uncle Liam is getting old.

In order to find the key person, I eliminated one by one, but I couldn't find it. Later, I climbed out from the bottom of the train and crawled back with difficulty. Another one was distressed.

Finally, it is quite new to say that the conjuring couple both played the villains in the film.

Uncle Liam, who was commuting to rescue, is not as brave as he was in the hurricane rescue. He was passive from beginning to end, and the fighting seemed particularly difficult. I admire such an actor very much. Talking about his own experience when playing cards later also really made people see the pressure and helplessness of this man who is struggling in real life.

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Extended Reading

The Commuter quotes

  • Michael MacCauley: So, I heard something earlier today, a hypothetical question.

    Tony: Uh-huh. What was the question?

    Michael MacCauley: What if someone asked you to do one little thing, something that's meaningless to you, but would affect another passenger on this train? Would you do it?

    Tony: I don't know. What's in it for me?

    Michael MacCauley: $100,000.

    Tony: Absolutely!

    Michael MacCauley: You don't even know what it is.

    Tony: It doesn't matter. Come on.

    Jackson: So, what is that one little thing?

    Michael MacCauley: A passenger on this train doesn't belong. They're carrying a bag, but you don't know what it looks like. All you have to do is find them before they get off.

    Tony: That's it? It's not much to go on, Mike.

    Michael MacCauley: Tell me about it.

    Jackson: And what happens when you find 'em?

    Michael MacCauley: They die. Hypothetically.

    Tony: So what would you do, Mike?

    Michael MacCauley: I'd get all the people left on the train in one car, propose that very scenario.

    Tony: No, no, no, no, no. I mean, would you take the money?

    Michael MacCauley: You know what? I already did.

  • Tony: Hey, Mike, what happened to the guy with the guitar?

    Michael MacCauley: He got off.

    [Tony looks around, confused, knowing the train is just pulling into the station]