logically confusing train

Nat 2022-10-19 11:28:51

I saw the poster of this film by chance, and felt that the uncle was going to save people again, so I got a little interest and watched this film.

After reading it, I am confused. So confused, so confused that I don't even know how this piece was put together.

In the first half of the film, the mysterious woman shows us her omnipotence. For example, steal the protagonist's mobile phone, open the phone borrowed by the protagonist at will, observe the protagonist's actions from various angles, and kill all those who stand in the way. At that time, I was very puzzled. Since you have such a powerful ability to observe the protagonist's every move on the train, why do you want the protagonist to find witnesses? Just search in the dark, right? Isn't this forcibly unfolding the plot? This is not over, and then an FBI agent appears inexplicably, the protagonist fights with the agent inexplicably, and puts a GPS on the agent's bag, and then the agent dies. . . died. . . . A Kesi Q Si narrow? Before the mysterious woman asked the protagonist to install GPS on the witness's bag, didn't she mean to follow the witness secretly? Why did people die all of a sudden? If you want to kill people, why install GPS?

Then suddenly a black killer appeared to force the protagonist to tell who the witness was, and he took out a pistol and felt that he would rush into the car and kill the witness in the next moment. One more time, Kesi Q?? How did you manage to control the whole car, big brother?!

In the second half of the film, the conductor forcibly picks up a lunch box when the killer has gotten off the train. One second before the marshals, he is still reporting a hijacking incident, and the next second, he and the protagonist go to check the situation. Hello! big brother! This guy has a gun in his hand! He looked like he was taking hostages just now! You trust him so much, go with him! The protagonist's halo can't work like this! Then our black marshals and the protagonist successfully saved the car with the brakes failing. Under the same conditions, the protagonist flew out of the out-of-control train without any damage, while the marshals got a lunch box, hello! The protagonist big brother, buy it and hang it up!

Then there is a plot that is very familiar no matter how you look at it. The protagonist holds evidence that can threaten the senior leaders of the city, hijacks a carriage, and covers all the windows with newspapers. The police outside are bad people and want to destroy them. evidence. . . . .

Ow! I remembered it, I remember that Bruce Willis played a movie called,,, Brave the 16th block, or the 12th block, this movie has the same scene, the difference is that the bus is changed. became a train carriage. .

When I saw this, I couldn't look down. . It's a big head, I thought I was watching a good movie with a tight plot. As a result, what I saw was a third-rate popcorn movie. .

The actors have nothing to say, the special effects are also okay. It is the screenwriter, ,, can take it to sacrifice to the sky. .

That's it,,, I have to remember this screenwriter's name and never read his script again! What the hell! (fall!)

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Extended Reading

The Commuter quotes

  • Alex Murphy: Mike, I get it. You wanna do the noble thing here. But I got news for you. There ain't no such thing as noble.

    Michael MacCauley: [glancing at Prynne] It was you.

    Alex Murphy: What are you talking about?

    Michael MacCauley: You called me. You knew about the witness. You... you knew what they saw.

    Alex Murphy: Yeah, I told you what happened.

    Michael MacCauley: It was a cop who killed him. You set me up.

  • Sofia: Ricky was a city planner, and some nights he would have to work late, so I-I would go to his office to finish my homework. I was waiting for Ricky by the elevator when these two men show up. I didn't see their faces, but they were looking for Ricky. I hid 'cause I didn't wanna get him in trouble. But they wanted something from him. Then all of them start yelling, and I hear this noise. They were hurting him. I could hear him screaming. And he tells them that he doesn't have it, that it's back at his place.

    Michael MacCauley: You took it.

    Sofia: Of course I took it. I wanted to help. And then I look through the doorway and I see this guy. He's holding Ricky, and he hits him, and he says something about being noble.

    Michael MacCauley: Noble?

    Sofia: He says that doing the right thing will get you killed, and that there's no such thing as being noble. And then, they just... I didn't... I didn't know what to do. I...

    Michael MacCauley: I know.

    Sofia: I just took it, and... and I ran.

    Michael MacCauley: Why didn't you call the police?

    Sofia: I couldn't call the police. The men who killed him were cops.