logically confusing train

Nat 2022-10-19 11:28:51

I saw the poster of this film by chance, and felt that the uncle was going to save people again, so I got a little interest and watched this film.

After reading it, I am confused. So confused, so confused that I don't even know how this piece was put together.

In the first half of the film, the mysterious woman shows us her omnipotence. For example, steal the protagonist's mobile phone, open the phone borrowed by the protagonist at will, observe the protagonist's actions from various angles, and kill all those who stand in the way. At that time, I was very puzzled. Since you have such a powerful ability to observe the protagonist's every move on the train, why do you want the protagonist to find witnesses? Just search in the dark, right? Isn't this forcibly unfolding the plot? This is not over, and then an FBI agent appears inexplicably, the protagonist fights with the agent inexplicably, and puts a GPS on the agent's bag, and then the agent dies. . . died. . . . A Kesi Q Si narrow? Before the mysterious woman asked the protagonist to install GPS on the witness's bag, didn't she mean to follow the witness secretly? Why did people die all of a sudden? If you want to kill people, why install GPS?

Then suddenly a black killer appeared to force the protagonist to tell who the witness was, and he took out a pistol and felt that he would rush into the car and kill the witness in the next moment. One more time, Kesi Q?? How did you manage to control the whole car, big brother?!

In the second half of the film, the conductor forcibly picks up a lunch box when the killer has gotten off the train. One second before the marshals, he is still reporting a hijacking incident, and the next second, he and the protagonist go to check the situation. Hello! big brother! This guy has a gun in his hand! He looked like he was taking hostages just now! You trust him so much, go with him! The protagonist's halo can't work like this! Then our black marshals and the protagonist successfully saved the car with the brakes failing. Under the same conditions, the protagonist flew out of the out-of-control train without any damage, while the marshals got a lunch box, hello! The protagonist big brother, buy it and hang it up!

Then there is a plot that is very familiar no matter how you look at it. The protagonist holds evidence that can threaten the senior leaders of the city, hijacks a carriage, and covers all the windows with newspapers. The police outside are bad people and want to destroy them. evidence. . . . .

Ow! I remembered it, I remember that Bruce Willis played a movie called,,, Brave the 16th block, or the 12th block, this movie has the same scene, the difference is that the bus is changed. became a train carriage. .

When I saw this, I couldn't look down. . It's a big head, I thought I was watching a good movie with a tight plot. As a result, what I saw was a third-rate popcorn movie. .

The actors have nothing to say, the special effects are also okay. It is the screenwriter, ,, can take it to sacrifice to the sky. .

That's it,,, I have to remember this screenwriter's name and never read his script again! What the hell! (fall!)

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Extended Reading

The Commuter quotes

  • Michael MacCauley: So, I heard something earlier today, a hypothetical question.

    Tony: Uh-huh. What was the question?

    Michael MacCauley: What if someone asked you to do one little thing, something that's meaningless to you, but would affect another passenger on this train? Would you do it?

    Tony: I don't know. What's in it for me?

    Michael MacCauley: $100,000.

    Tony: Absolutely!

    Michael MacCauley: You don't even know what it is.

    Tony: It doesn't matter. Come on.

    Jackson: So, what is that one little thing?

    Michael MacCauley: A passenger on this train doesn't belong. They're carrying a bag, but you don't know what it looks like. All you have to do is find them before they get off.

    Tony: That's it? It's not much to go on, Mike.

    Michael MacCauley: Tell me about it.

    Jackson: And what happens when you find 'em?

    Michael MacCauley: They die. Hypothetically.

    Tony: So what would you do, Mike?

    Michael MacCauley: I'd get all the people left on the train in one car, propose that very scenario.

    Tony: No, no, no, no, no. I mean, would you take the money?

    Michael MacCauley: You know what? I already did.

  • Tony: Hey, Mike, what happened to the guy with the guitar?

    Michael MacCauley: He got off.

    [Tony looks around, confused, knowing the train is just pulling into the station]