Melancholy eyes, tough nose, very suitable for being forced to save people

Gloria 2022-10-25 00:57:28

Liam Neeson is perfect for this role, being forced to do heroic things in a closed space. His large, round eyes are always watery and tender, which makes his feelings for his daughter or family convincing and resonating. His flat and sturdy nose can make people feel strength and strength. Foreigners are most likely to collapse their noses when they fight.

The film is about protecting a personal ID in a commuter car. To protect witnesses, you must first find out witnesses, and then watch her to prevent her from being hurt. The villain is said to be very powerful, but he didn't get close to Lim Neeson to create all kinds of obstacles and injuries to him, and the commuter car is obviously not as nervous as the plane - not fast and on the ground - there is no hurricane rescue for the dead. There are so many, so you will always have a tepid and unnerved feeling during the viewing process.

There are not many big scenes and hard fights. Mr. Liam is in his 60s in reality and in the film. He is out of breath after a few rounds. In order for him to win, it is easy for his opponents to die.

If it weren't for the Liam Neeson complex, this would really be a normal movie everywhere. It is by no means a qualified Hollywood movie at the current industry level.

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Extended Reading

The Commuter quotes

  • Michael MacCauley: So, I heard something earlier today, a hypothetical question.

    Tony: Uh-huh. What was the question?

    Michael MacCauley: What if someone asked you to do one little thing, something that's meaningless to you, but would affect another passenger on this train? Would you do it?

    Tony: I don't know. What's in it for me?

    Michael MacCauley: $100,000.

    Tony: Absolutely!

    Michael MacCauley: You don't even know what it is.

    Tony: It doesn't matter. Come on.

    Jackson: So, what is that one little thing?

    Michael MacCauley: A passenger on this train doesn't belong. They're carrying a bag, but you don't know what it looks like. All you have to do is find them before they get off.

    Tony: That's it? It's not much to go on, Mike.

    Michael MacCauley: Tell me about it.

    Jackson: And what happens when you find 'em?

    Michael MacCauley: They die. Hypothetically.

    Tony: So what would you do, Mike?

    Michael MacCauley: I'd get all the people left on the train in one car, propose that very scenario.

    Tony: No, no, no, no, no. I mean, would you take the money?

    Michael MacCauley: You know what? I already did.

  • Tony: Hey, Mike, what happened to the guy with the guitar?

    Michael MacCauley: He got off.

    [Tony looks around, confused, knowing the train is just pulling into the station]