we go to another kind of fall

Matilde 2022-04-21 09:02:15

When I was halfway through eating the tomato in my hand, the movie took more than fifty minutes, and I was so sleepy that my face was full of tears.
"I'll go to bed after eating the tomatoes, and I'll brush my teeth tomorrow morning." I thought so.
Then, I ate several more tomatoes.

When Alexandria came out holding her broken hand, carrying a small wooden box, and shaking her chubby body, I already wanted to rush over and bite her. Later, when Roy told her a story, the two of them pulled the curtain and snuggled together, looking at the two extremely beautiful faces, and I already gave the film a five-point anger in my heart.

and after. How could it be so good...

Alexandria stole the sacrament and broke half of it to Roy, Roy asked her: Are you trying to save my soul? Alexandria couldn't understand what a soul was, and asked what it meant over and over again in awkward English.

In the story Alexandria heard, Mystic came out of a tree, and there were many, many birds in his belly. After he eats the map, he becomes a map, and there will be many totems on his body. When he died, the bird flew out of his body.
I only see things like this when I'm dreaming. With my eyes open during the day, I can't think of it. So, I like it.

Alexandria ran into the hallway and cried when she saw a child killed by a snake in the hospital. She thought it was Roy when she saw the toothless grandfather died, ran over and pinched his toes and cried again.
Before that, she'd lied about her toes to keep Roy happy.

The story gets more and more tragic as Roy falls into the abyss someone gave him. Alexandria fell into a coma for stealing medicine for Roy, and Roy looked at Alexandria who was slowly waking up with a very complicated expression (actually I wanted to say, why is he so handsome!). Because of Alexandria, he couldn't take care of himself for the time being, but he couldn't get rid of it at all, so he began to prepare to kill everyone in the story, including himself.

One, two, three, Alexandria was already crying with anxiety. But Roy didn't mean to stop at all, tormented himself in order to live, and to live was to torture himself again and again. So he continued to cry about how the heroes of the story were killed one by one.

When I see a good story, I also have the habit of bringing myself into it. Like a person who exists in the story, witnessing everything happen. Through windows, door cracks, or pretending to pass by. But like a time travel, I dare not change anything, I only dare to watch. They cry and I cry, and they laugh at me. They were arguing, and I felt uncomfortable on the side.

But Alexandria is different.
She would steal medicine to get Roy to "sleep" even though she knew "stealing" was bad. Will randomly translate the conversation between Mom and the doctor in order to stay and listen to Roy finish the story. Then when she sees the mission of the story die, she will never stand by. So she went into the story herself.

Life is not an actor or an audience. Maybe there is a lot of helplessness. When I try to change my inaction as an audience and work hard to act for the plot I want to win, I find that writing a script is more interesting than passively accepting it.

Alexandria finally pulled Roy out, but the story still didn't go the way I thought it would. In fact, what can I think, what I think is just the end of the set, it is not really what I think.
Alexandria went back to pick oranges and Roy went back to acting.

They both fell into their own lives that had nothing to do with each other. There will be no more mutual rescue, but this fall is not a bad idea.

I don't know, anyway, I like this kind of cloudy movie.

It's not good to be able to dream when you're awake.

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Extended Reading
  • Kale 2022-04-24 07:01:07

    #archive# The most popular film in the film modeling class is Tasim Sin's "Falling" and "Invasion of Brain Cells", and finally watching it on the big screen is an audio-visual enjoyment! The sinking and redemption of # Fighting Stuntman# uses the narrative method of the "One Thousand and One Nights" play-in-play for intertextuality, collecting the world's beautiful buildings to create a magnificent and magnificent dream scene recorded in the history of film; Entering the fiction to revitalize the whole story, she saved the life and death of the depressed patients in her self-help. Who is the enemy? It's an addiction of drowning in career and emotional failures! A few amazing things: ①The resurrection ceremony of the mysterious believer, the montage of dancing and walking, the charm of the movie is boundless; ②The stop-motion animation in the chaos after the girl faints, too dare to watch it directly; ③The Turkish whirling dance at the wedding, the betrayer The priest smiled mysteriously, followed by a similar editing of landforms; ④The little girl's acting skills! All words and actions are in line with the thinking logic of that age, very credible and vivid, and show no weakness against the beautiful Pepe's opponent; ⑤ The silent film fan movie collection at the end, I like desperate Keaton, but the frame adjustment should be taken into account at that time, some direct Roughly stretched wide and rough.

  • Annette 2022-03-28 09:01:03

    Amazing! It's been a long time since I've seen such a film with the right taste! The film is full of surrealism, the fantasy and reality are intertwined very well, and even the poster pays homage to Dali... The soundtrack at the beginning and end is the second movement of Bei Qi, and the atmosphere is rendered It's very perfect! High-speed photography + slow motion + rich tones are really bubbling... and Li Peipei's every shot is like a beautiful picture with a bloody face... Finally, with the little girl The opponent's play is so good, I burst into tears...

The Fall quotes

  • Roy Walker: Can you read English?

    Alexandria: Ya.

    Roy Walker: [pointing to a word he's written] What's this?

    Alexandria: Paper.

    Roy Walker: [laughs] No. What's this?

    Alexandria: [reading] M-O-R-P-H-I-N-3.

    Roy Walker: [pointing at the letter 'E'] What's this?

    Alexandria: Three.

    Roy Walker: Yeah... that's it. I'm having a hard time sleeping and remembering the story. I need some pills. I need pills in a bottle that has this written on it.

    Alexandria: M-O-R-P-H-I-N-3?

    Roy Walker: Yes. And it's in the main block. In that room in the main block. You understand?

    Alexandria: Ask the head nurse.

    Roy Walker: I'm asking you as a friend.

    Alexandria: But it's stealing.

    Roy Walker: No it's not, not if you need it. It's no different than stealing bread from a church.

    Alexandria: I'll ask them for you.

    Roy Walker: No. It's a bandits' secret. I need the pills to finish the story. Do you understand?

    Alexandria: I'll do it.

    Roy Walker: Thanks.

  • Roy Walker: And she turned from the masked bandit and she said...

    Nurse Evelyn: [in the story, as Sister Evelyn] May I be frank with you?

    Blue Bandit: Of course.

    Nurse Evelyn: Although I've dedicated my life to God and His goodness, I secretly love throwing oranges at our priest.

    Blue Bandit: [as Roy, talking to Alexandria] Take two turns to the left and go to the bathroom.

    Alexandria: [squirming because she has to use the restroom] No. You read my note.

    Roy Walker: What are you talking about? Go to the bathroom.

    Alexandria: No. How did you know about the priest and the oranges?

    Roy Walker: Everybody knows you like to throw oranges at the priest, even the priest knows. But I didn't find that out from your gibberish message.

    Alexandria: Is not gibberish.