I watched it three times in a row. Every time I am vaguely moved. It's just a personal appreciation angle, not the emotional catharsis of crying on a summer afternoon in the Lily Zhou era.
This is a pleasant and restrained viewing journey, because I am a lover of Salvador Dali, his paintings are not exquisite, but full of glittering hidden fantasy powder, filling the gray area of your heart, a kind of momentary Satisfaction spreads (yet his photography is more endearing than his paintings, full of haute couture imaginings). Seeing all the wonderful ways to pay homage to Dali in "The Fall", you can nod your head in praise and smile gently; all kinds of interesting details such as Googly's incantation, childishly interesting paper-cuts, and meaningful travels around the world The combination of scenery and clay animation are all small factors that give you happiness. Because of this, the second half becomes more and more depressing, and it also makes "The Fall" break out of the thinking of the established script, slipping into the romanticism that conforms to the public's aesthetics without losing personal style in the gap between reality and surrealism.
If the ending is a little crueler, it is a European film; if it is a little more reunion, it is a Hollywood film. This extra point is cumbersome. The slow mirror at the end and the beginning echo each other. The beauty of the circular proportion of a symmetrical linear structure is lined with the second movement of the 7th Symphony in A major by the classical veteran BEE, and its own delicate adagio emerges. Majestic atmospheric texture. The multi-line theme of the film is also perfectly combined here, and the curtain call is gorgeous - a second tribute to the film special effects industry.
It's a movie that anyone who loves detail will love. Lee Pace is charming. Alexandria is so cute. The cinematic pleasure that should be enjoyed during afternoon black tea. Trust me, babe.
At the beginning of PS, I actually saw the names of David Fincher and Spike Jonze~ By the way, I would like to praise the Japanese clothing design~ Again
: I am a little confused about the second chapter of S7 being marked as Allegretto, I checked some information . as follows:
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II. Allegretto
Second Movement: Small Although the Allegretto
is marked Allegretto, this movement is by no means brisk. We know that Beethoven was hesitant to label it Andante. It begins with a soft long chord played by the woodwind. Then comes the quiet rhythmic pulsation on the bass strings—not so much a melody as it is a beating heart, which accompanies this whole theme and a set of variations that follow:
surrounding it is Viola and cello intertwined voices. Before long, the sentimental A minor shifts to a bright major, where the clarinet and bassoon play some more fluid melodies in a different rhythm. Even here, if you pay attention, the former beats of rhythm are still ringing softly in the band's lower register. When the climax subsides, fragments of the theme are whispered now and then on this instrument, now on that instrument, and finally the movement ends with the sighing, echoing sound of the violin.
Even in the first performance of this symphony. This Allegretto was asked to repeat by the audience; for the slow movement. This is a rare honor. It soon became so popular that some conductors inserted it into the lesser-known Eighth Symphony for applause!
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