For me, the most powerful thing is not his multiple mappings on a character (although this is also very powerful), but I think the most powerful thing is that he expresses your entanglement word by word, Your anguish, the part you want to hide most, and the part you don't even want to reveal or don't know, will be told to you bloody, so that you can toss and turn with the characters and confuse your heart together. He wants you to see yourself clearly, the world clearly, and behind your happy life, the part of the line that you should know calmly and clearly, just like every line that pops out of my mind in the middle of the night that makes me The thought of crying, so I know the pain of the characters, and I closed my eyes because of the last sentence "Nothing". The role of Emma has played too much in my eyes. She is immersed in life. She was a simple woman who couldn't understand each other in the early days of meeting Elizabeth. She just wanted to build a family. Her character development is the reason why Elizabeth became what she is, and because of this role, she became Elizabeth. She and Elizabeth exchanged in the mirror, became Elizabeth's tool to analyze herself, became Elizabeth's stand-in for her husband, and became the origin of Emma's confusion. Elizabeth chose to leave after dissecting herself. Emma tried to convert back to herself before leaving. We thought things had changed and were different, but in the end, they returned to the ward. Elizabeth was still expressionless and pale, Emma He still held her in his arms and said "nothing". Maybe all the clips before Emma finally opens the door, are imaginations, that imaginations, just to remind you of the chaos that should be there, and then tell you, "It's nothing".
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