You doubted all but.

Howell 2022-04-23 07:02:04

For me, the most powerful thing is not his multiple mappings on a character (although this is also very powerful), but I think the most powerful thing is that he expresses your entanglement word by word, Your anguish, the part you want to hide most, and the part you don't even want to reveal or don't know, will be told to you bloody, so that you can toss and turn with the characters and confuse your heart together. He wants you to see yourself clearly, the world clearly, and behind your happy life, the part of the line that you should know calmly and clearly, just like every line that pops out of my mind in the middle of the night that makes me The thought of crying, so I know the pain of the characters, and I closed my eyes because of the last sentence "Nothing". The role of Emma has played too much in my eyes. She is immersed in life. She was a simple woman who couldn't understand each other in the early days of meeting Elizabeth. She just wanted to build a family. Her character development is the reason why Elizabeth became what she is, and because of this role, she became Elizabeth. She and Elizabeth exchanged in the mirror, became Elizabeth's tool to analyze herself, became Elizabeth's stand-in for her husband, and became the origin of Emma's confusion. Elizabeth chose to leave after dissecting herself. Emma tried to convert back to herself before leaving. We thought things had changed and were different, but in the end, they returned to the ward. Elizabeth was still expressionless and pale, Emma He still held her in his arms and said "nothing". Maybe all the clips before Emma finally opens the door, are imaginations, that imaginations, just to remind you of the chaos that should be there, and then tell you, "It's nothing".

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Extended Reading

Persona quotes

  • Sister Alma: Elisabet? Can I read you something from my book? Or am I disturbing you? It says here:"All the anxiety we bear with us, all our thwarted dreams, the incomprehensible cruelty, our fear of extinction, the painful insight into our earthly condition, have slowly eroded our hope of an other-wordly salvation. The howl of our faith and doubt against the darkness and silence, is one of the most awful proofs of our abandonment and our terrified, unuttered knowledge." Do you think it's like that?

  • Sister Alma: Karl-Henrik and I rented a cottage by the sea once. It was June, and we were all alone. One day, when Karl-Henrik had gone into town, I went to the beach on my own. It was a warm and lovely day. There was another girl there. She'd paddled over from another island because our beach was sunnier and more secluded. We lay there, sunbathing beside one another, complete naked, dozing now and then, putting suntan lotion on. We had those cheap straw hats on, you know? I had a blue ribbon around mine. I lay there peeping out from under my hat at the landscape and the sea and the sun. It was kind of funny. Suddenly I saw two figures leaping about on the rock above us. They would hide and then peek out. "There's a couple of boys looking at us," I told the girl. Her name was Katarina. "Let them look," she said, and turned over on her back. It was a strange feeling. I wanted to jump up and put my robe on but I just lay there on my stomach with my bottom in the air, not at all embarrassed, completely calm. Katarina lay there next to me the whole time, with her breasts and thick thighs. She just lay there sort of giggling to herself. I noticed that the boys had come closer. They just stood there looking at us. I noticed they were terribly young. Then one of them - the more daring of the two - came up and squatted down next to Katarina. He pretended to be busy picking at his toes. I felt so strange. Suddenly I heard Katarina say, "Hey, why don't you come over here?" She took him by the hand and helped him off with his jeans and shirt. Then suddenly he was on top of her. She guided him in with her hands on his behind. The other boy just sat on the slope and watched. I heard Katarina whisper in the boy's ear and laugh. His face was right next to mine. It was red and swollen. Suddenly I turned over and said, "Aren't you coming over to me too?" And Katarina said, "Go to her now." He pulled out of her and fell on top of me, completely hard. He grabbed my breast. It hurt so bad. I was ready somehow and came almost at once. Can you believe it? I was about to say, "Careful you don't get me pregnant" when he suddenly came. I felt it like never before in my life, the way he sprayed his seed into me. He gripped my shoulders and arched backward. I came over and over. Katarina lay on her side and watched and held him from behind. After he came, she took him in her arms and used his hand to make herself come. When she came, she screamed like a banshee. Then all three of us started laughing. We called to the other boy, who was sitting on the slope. His name was Peter. He came down, looking all confused and shivering despite the sunshine. Katarina unbuttoned his pants and started to play with him. And when he came, she took him in her mouth. He bent down and kissed her back. She turned around, took his head in both hands, and gave him her breast. The other boy got so excited that he and I started all over again. It was just as good as before. Then we went for a swim and parted ways. When I got home, Karl-Henrik was already back from town. We ate dinner and drank some red wine he'd brought. Then we had sex. It's never been as good, before or since. Can you understand that?