A pinch of light

Savannah 2022-04-22 07:01:26

do you know? I thought that artists are the kind of people who can sympathize with other people's suffering and are willing to listen to others, but I can't see the breath of an artist in you, you only have indifference and selfishness, you don't say a word, you use My emotions treat me as an object of study...

"Masquerade" tells a very simple story, the famous actress Elizabeth suddenly began to resist acting, refusing to face the stage and face others, while Alma was the nurse sent by the hospital to take care of her, the dean said by the sea A small villa in the house was more suitable for Elizabeth's recovery, so a battle between the inside and outside of the self began.

From the theme of the movie, why is the movie called "Masquerade"? The meaning of the mask essentially represents two different personality traits of Elizabeth. The film has three hints of Elizabeth and Alma interacting in the mirror until the end of the film. Elizabeth's lover appears, and the person who talks to her lover But it was Alma, whether it was about their past romance or about their children, how could a nurse who had nothing to do with Elizabeth before know all this? So from this perspective, Elizabeth as an actress is Alma, and Alma as a nurse is Elizabeth.

As for why there are two identities of actress and nurse? The occupational characteristic of a nurse is to persuade others, while Elizabeth, an actress, chose to isolate herself. The two different occupational identities actually implied the differentiation of Elizabeth's two different personalities. Her lover said she lacked motherhood, so she Let him have a child with her, but after the child is born, she ignores the child and resists the existence of the child; on the other hand, she is compassionate and fond of the child. The pulling of two contradictions has formed this wonderful film.

There are many interesting scenes in the film. As a nurse who accompanied Elizabeth to recuperate in a seaside villa, she was taken as a research object by Elizabeth. This was the beginning of the first contradiction in the film, and it was at this time that Alma began to scold her. Elizabeth, angrily scolded her for exploiting her emotions without empathy. Elizabeth had always been in a closed state before, but she had the first big body language, and she slapped Alma. The conflict began to intensify at this time. When excited, Alma picked up the kettle that had just boiled water and wanted to smash it on Elizabeth. At this time, Elizabeth, who had been silent in the film, said, "Stop it." It seems to be a very simple conflict, but it actually shows people's inner self-split struggle. Who would be so angry that they lost themselves because a letter simply mentioned something that seemed important and unimportant. The rational plan to smash someone with a pot of boiling water? The answer is yourself. Everyone's heart is divided, and they will always be angry with the one who made the result because of an unsatisfactory result. That's why there is a scene where two people are constantly fighting. There is a scene in the film where a hand is nailed to the board with bloody nails. This is a metaphor. This scene appears for the second time at the climax of the conflict between Elizabeth and Alma. In this way, it implies the pain of people's inner struggle, to what extent can it be achieved? It's like putting your hand on the wall, aiming a big nail in your palm, driving the nail into your palm and smashing it into the wall.

And the human heart is complicated. When you hate yourself, you can recklessly be willing to put a nail in the palm of your hand. You can also pour a pot of hot boiling water on yourself without hesitation, and you can even ignore it. Don't care about anything, when a silent mute doesn't speak for a lifetime. But sometimes, you also say no to yourself. You reject such a self-enclosed way of life. You are unwilling to fall and be destroyed. You want to be redeemed. The person who redeems you is ultimately only yourself. , that's why Elizabeth shouted "Stop", otherwise, what would happen if she was splashed with boiling water, the world itself is colorless to Elizabeth, and only the appearance of Alma changed Elizabeth's world. It became brighter, and I became aware of emotions that I had never felt before.

At the end of the film, Elizabeth is slapped severely by Alma, which means that Alma's side has the upper hand in Elizabeth's personality differentiation. The seemingly cruel slaps mean farewell to Elizabeth's personality. , After that, Alma will still be the former Alma, and Elizabeth will still be the former Elizabeth, they love each other and kill each other, merge into one, and finally separate.

Bergman always reminds me of a lot of past events. Before I came into contact with Bergman, I had a very favorite director named Jia Zhangke. When watching Jia Zhangke's films, I always felt the same way. The shadows in the background of the times I live in, these shadows are left to me by my parents' growing environment, so I am eager to get in touch with those times, that environment, the unique abandoned Every Xiaowu on the street corner.

At that time, I watched Bergman's "The Seventh Seal", "The Virgin Spring" and "Fanny and Alexander". I couldn't understand it, but I remembered many pictures that impressed me deeply. The tree is figurative, and I see the deep fear of life and death in people's dreams, and the loneliness and helplessness in the hearts of children who have been destroyed by their original families.

In fact, Bergman is such a child. He lived under the deep fear of his father in his childhood, so he has a special attachment to his mother, but because of his father's cruelty, there is always a layer between him and his mother. The distance that cannot be crossed, and these childhood shadows are all reflected in his films, in the movie "Shouting and Whispering", people can see the three sisters and Annie's heartbreaking, these inner lacks, The mother's love from Yuanwang comes from the disappearance of the great love in the heart, so everyone is struggling, but they are eager to embrace, but in the end they can't get any results.

But I have seen that Bergman is such a person who lived out hope in the midst of frustration and endless pain. He used a ninety-nine-point attitude to life to show people his inner despair, so desperate that he even said that God is dead. His cry, but told people with the last minute that his heart was bright.

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Extended Reading

Persona quotes

  • Sister Alma: Elisabet? Can I read you something from my book? Or am I disturbing you? It says here:"All the anxiety we bear with us, all our thwarted dreams, the incomprehensible cruelty, our fear of extinction, the painful insight into our earthly condition, have slowly eroded our hope of an other-wordly salvation. The howl of our faith and doubt against the darkness and silence, is one of the most awful proofs of our abandonment and our terrified, unuttered knowledge." Do you think it's like that?

  • Sister Alma: Karl-Henrik and I rented a cottage by the sea once. It was June, and we were all alone. One day, when Karl-Henrik had gone into town, I went to the beach on my own. It was a warm and lovely day. There was another girl there. She'd paddled over from another island because our beach was sunnier and more secluded. We lay there, sunbathing beside one another, complete naked, dozing now and then, putting suntan lotion on. We had those cheap straw hats on, you know? I had a blue ribbon around mine. I lay there peeping out from under my hat at the landscape and the sea and the sun. It was kind of funny. Suddenly I saw two figures leaping about on the rock above us. They would hide and then peek out. "There's a couple of boys looking at us," I told the girl. Her name was Katarina. "Let them look," she said, and turned over on her back. It was a strange feeling. I wanted to jump up and put my robe on but I just lay there on my stomach with my bottom in the air, not at all embarrassed, completely calm. Katarina lay there next to me the whole time, with her breasts and thick thighs. She just lay there sort of giggling to herself. I noticed that the boys had come closer. They just stood there looking at us. I noticed they were terribly young. Then one of them - the more daring of the two - came up and squatted down next to Katarina. He pretended to be busy picking at his toes. I felt so strange. Suddenly I heard Katarina say, "Hey, why don't you come over here?" She took him by the hand and helped him off with his jeans and shirt. Then suddenly he was on top of her. She guided him in with her hands on his behind. The other boy just sat on the slope and watched. I heard Katarina whisper in the boy's ear and laugh. His face was right next to mine. It was red and swollen. Suddenly I turned over and said, "Aren't you coming over to me too?" And Katarina said, "Go to her now." He pulled out of her and fell on top of me, completely hard. He grabbed my breast. It hurt so bad. I was ready somehow and came almost at once. Can you believe it? I was about to say, "Careful you don't get me pregnant" when he suddenly came. I felt it like never before in my life, the way he sprayed his seed into me. He gripped my shoulders and arched backward. I came over and over. Katarina lay on her side and watched and held him from behind. After he came, she took him in her arms and used his hand to make herself come. When she came, she screamed like a banshee. Then all three of us started laughing. We called to the other boy, who was sitting on the slope. His name was Peter. He came down, looking all confused and shivering despite the sunshine. Katarina unbuttoned his pants and started to play with him. And when he came, she took him in her mouth. He bent down and kissed her back. She turned around, took his head in both hands, and gave him her breast. The other boy got so excited that he and I started all over again. It was just as good as before. Then we went for a swim and parted ways. When I got home, Karl-Henrik was already back from town. We ate dinner and drank some red wine he'd brought. Then we had sex. It's never been as good, before or since. Can you understand that?